Stories with Tag Collectibles

• Many of the Pokemon playtest cards were likely printed in 2024

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  Posted: 2025-01-30 18:38:12

  Verbose tl;dr

  Evidence suggests many Pokémon Playtest cards, initially believed to be from the game's early development, were actually printed much later, possibly in 2024. This is based on the presence of a "three-dot" copyright symbol on the cards, which signifies compliance with Japanese copyright law updated in 2024. While this doesn't definitively rule out earlier creation, it strongly indicates a later printing date than previously assumed, suggesting these "Playtest" cards may represent a different stage of development or purpose than initially thought.

  A recent discourse on the Elite Fourum, a popular online community for Pokémon Trading Card Game enthusiasts, posits the intriguing theory that a significant portion of the playtest cards, those elusive prototypes used for internal testing and development within the Pokémon TCG production process, were, in actuality, printed not in the years preceding a set's release as might be commonly assumed, but rather in the year 2024. The author's hypothesis hinges upon a meticulous examination of the copyright dates present on these playtest cards. Specifically, the observation that numerous playtest cards bear a 2024 copyright date, even for sets released prior to that year, suggests a later printing timeframe than one might initially anticipate. This discrepancy raises several potential explanations. Perhaps these particular playtest cards represent reprints created for archival purposes or for continued internal testing and refinement even after a set's official launch. Alternatively, the later copyright date could simply reflect the year in which the card designs were finalized, even if the physical prototypes themselves were produced earlier. The implications of this discovery remain open to interpretation, but the observation itself adds another layer of complexity and intrigue to the already fascinating world of Pokémon TCG history and the meticulous processes behind the creation of these beloved collectible cards. The precise reasons for the 2024 copyright date on these playtest cards remain shrouded in some degree of mystery, inviting further investigation and discussion amongst dedicated collectors and enthusiasts.

  • Pokemon
  • Playtest Cards
  • Trading Cards
  • TCG
  • Printing
  • 2024
  • Card Games
  • Collectibles

  Summary of Comments ( 174 )
  https://news.ycombinator.com/item?id=42880704

  Verbose tl;dr

  Hacker News users discuss the implications of Pokémon playtest cards potentially being printed in 2024. Some express skepticism, pointing out that a "24" print code doesn't definitively mean the year 2024 and could represent something else entirely. Others find the idea plausible given the long lead times in the printing industry, especially with specialized processes like those used for Pokémon cards. The conversation also touches on the possibility of these being counterfeits, the complexities of the Pokémon TCG market, and how leaks can affect the perceived value and collectability of cards. A few users mention the inherent difficulties in verifying the authenticity of such leaks, while others simply express amusement at the idea of time-traveling Pokémon cards.

  The Hacker News post titled "Many of the Pokemon playtest cards were likely printed in 2024" (linking to an EliteForum discussion) has a moderate number of comments discussing the implications of the apparent leak of Pokémon playtest cards. The discussion centers around the potential ramifications for the Pokémon Trading Card Game (TCG) and the printing process involved.

  Several commenters delve into the technical aspects of card printing and how the revealed 2024 date might be interpreted. One commenter questions the significance of a 2024 print date, suggesting it doesn't necessarily mean the cards will be released in that year, as playtesting can occur long before a set's official launch. They point out that Wizards of the Coast, known for Magic: The Gathering, often playtests cards years in advance. This comment sparks further discussion about the logistics of card production, including the possibility that the 2024 date could refer to internal test prints rather than the final production run.

  Another thread of discussion revolves around the potential impact of these leaks on the Pokémon TCG meta. Commenters speculate on the potential power level of the leaked cards and whether their premature reveal could disrupt the planned release schedule or force changes in upcoming sets. Some express concern that the leaks could lead to speculation and artificial inflation of prices for certain cards, while others dismiss the leaks as insignificant, arguing that playtest cards rarely resemble the final product.

  A few commenters express skepticism about the authenticity of the leaked cards, although this remains a minority view. The majority of commenters seem to accept the legitimacy of the leak and focus on analyzing its implications.

  Finally, several commenters discuss the legal ramifications for the leaker and the potential response from The Pokémon Company. Some speculate on the possibility of legal action against the individual who leaked the cards, while others discuss the potential damage to the company's intellectual property and brand.

  Overall, the comments on Hacker News reveal a mix of curiosity, concern, and skepticism surrounding the leaked Pokémon playtest cards. The discussion provides insight into the complexities of TCG production, the potential impact of leaks on the game's meta, and the legal and ethical considerations surrounding such incidents.

• The Peppermills of Jens Quistgaard

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  Posted: 2025-01-21 21:15:20

  Verbose tl;dr

  Jens Quistgaard, a renowned Danish designer, created a series of iconic peppermills characterized by their unique combination of form and function. These mills, produced primarily from the 1960s to the 1980s, feature a distinctive shape, typically made of teak and featuring a ceramic grinding mechanism. Quistgaard prioritized simplicity and craftsmanship, resulting in mills that are both aesthetically pleasing and practical. While variations exist in size, wood type, and base design, they all share a common design language that makes them instantly recognizable as Quistgaard creations. The peppermills are highly collectible today, appreciated for their enduring design and Quistgaard's legacy.

  This website, dedicated to the peppermills of Danish designer Jens Quistgaard, offers an exhaustive exploration of these iconic mid-century modern kitchen tools. It meticulously chronicles the evolution and nuances of Quistgaard's peppermill designs, demonstrating a clear passion for the subject. The site begins by introducing Quistgaard himself, positioning him as a significant figure in Danish design and highlighting his prolific output, particularly his work for Dansk Designs. It emphasizes the enduring popularity and collectability of his peppermills, setting the stage for a deep dive into their specifics.

  The site then delves into a detailed typology of Quistgaard's peppermills, categorizing them based on key features such as size, shape, material, and the distinctive grinder mechanism. It meticulously differentiates between variations like the "Gourmet," "Fjord," and "Rare" models, explaining the subtle but significant differences in their design elements, including the presence or absence of a teak collar, the shape of the finial, and the materials used in their construction – primarily teak and rosewood. The site showcases a comprehensive visual catalog of these variations, employing high-quality photographs to illustrate the nuances described. It also includes dimensional information, offering precise measurements for each model, further enhancing the detailed and analytical nature of the documentation.

  Beyond mere cataloging, the site provides valuable insights into the peppermills’ functionality. It describes the ingenious design of Quistgaard's unique grinder mechanism, explaining its effectiveness and durability. The text also addresses common issues encountered with these vintage mills, such as wear and tear on the grinding components, and offers practical guidance on maintenance, repair, and restoration. This focus on functionality adds a practical dimension to the otherwise aesthetically-driven exploration.

  Furthermore, the site touches upon the broader context of Quistgaard's design philosophy, emphasizing his commitment to natural materials, organic forms, and functional simplicity. It connects his peppermill designs to the larger body of his work, showcasing how these principles manifested across his diverse range of creations. The site implicitly argues for the enduring value and relevance of Quistgaard’s design approach, presenting his peppermills not just as vintage collectibles but as timeless examples of good design. In essence, the website serves as a comprehensive and authoritative resource for collectors, enthusiasts, and anyone interested in the history and design of Jens Quistgaard’s peppermills, offering a blend of historical information, technical details, and aesthetic appreciation.

  • Jens Quistgaard
  • Danish design
  • Mid-century modern
  • Peppermills
  • Woodworking
  • Industrial design
  • Danish Modern
  • Vintage
  • Collectibles
  • Kitchenware
  • Tableware
  • Design history
  • Scandinavian design

  Summary of Comments ( 3 )
  https://news.ycombinator.com/item?id=42785281

  Verbose tl;dr

  Hacker News users discuss Quistgaard's pepper mills with a mix of appreciation and pragmatism. Several praise the iconic design and craftsmanship, noting their durability and the satisfying grinding mechanism. Others question the practicality, citing issues with refilling, the coarseness of the grind, and the tendency for peppercorns to get stuck. Some commenters share personal anecdotes of owning or inheriting these mills, highlighting their longevity. A few delve into the history of Dansk Designs and Quistgaard's broader work. Overall, the comments reflect a respect for the design while acknowledging its functional limitations. There's also some discussion about the high prices these mills command, with some arguing they are more collectible than practical.

  The Hacker News post "The Peppermills of Jens Quistgaard" sparked a discussion thread with several interesting comments revolving around Quistgaard's design philosophy, the practicality of his pepper mills, and the broader context of mid-century modern design.

  Several commenters praised Quistgaard's focus on natural materials and organic forms. One user appreciated the "warm modernism" of his work, contrasting it with the colder, more austere aesthetic often associated with mid-century design. Another commenter highlighted the tactile quality of Quistgaard's designs, suggesting they were meant to be held and used, not just admired. This emphasis on functionality resonated with other users who saw it as a core principle of good design.

  The practicality of Quistgaard's pepper mills, however, was a point of contention. Some users questioned the effectiveness of the grinding mechanism, suggesting that the wooden grinder might not be as efficient as modern ceramic or steel grinders. Others countered this by pointing out that the mills were designed for a different era, where freshly ground pepper was a luxury and the slower pace of grinding was not necessarily a drawback. One user even suggested that the wooden mechanism might impart a unique flavor to the pepper.

  Beyond the specific design of the pepper mills, the conversation broadened to include discussions of Quistgaard's other work and his influence on Danish modern design. Some users shared their own experiences with Quistgaard-designed objects, while others drew parallels between his work and that of other prominent designers of the period. One commenter noted the timeless quality of Quistgaard's designs, suggesting that their appeal continues to resonate with contemporary audiences.

  Finally, a few commenters touched on the collectability and value of Quistgaard's pieces. One user inquired about the availability and price of the pepper mills, while another shared a personal anecdote about inheriting a Quistgaard piece.

  In summary, the comments on the Hacker News post offer a multifaceted perspective on Jens Quistgaard's pepper mills and his broader design legacy. They highlight the enduring appeal of his work, while also acknowledging some of the practical limitations of his designs in a modern context. The discussion showcases the passion and knowledge of the Hacker News community, offering a valuable glimpse into the world of mid-century modern design and the enduring influence of Jens Quistgaard.