"Honey Bunnies" is a generative art experiment showcasing a colony of stylized rabbits evolving and interacting within a simulated environment. These rabbits, rendered with simple geometric shapes, exhibit emergent behavior as they seek out and consume food, represented by growing and shrinking circles. The simulation unfolds in real-time, demonstrating how individual behaviors, driven by simple rules, can lead to complex and dynamic patterns at the population level. The visuals are minimalist and abstract, using a limited color palette and basic shapes to create a hypnotic and evolving scene.
This post provides a practical guide to using Perlin noise for creating realistic terrain features in procedural generation. It covers fundamental concepts like octaves and persistence, explaining how combining different noise scales creates complex landscapes. The guide then demonstrates how to apply Perlin noise to generate mountains by treating noise values as elevation, cliffs by using thresholds to create sharp drops, and cave systems by applying 3D Perlin noise and manipulating thresholds to carve out intricate networks. It also touches on optimizing performance and integrating these techniques into game development workflows. The overall goal is to equip developers with the knowledge and techniques to generate compelling and varied landscapes using Perlin noise.
HN users largely praised the article for its clear explanations and helpful visualizations of Perlin noise for procedural generation. Several commenters shared their own experiences and experiments with Perlin noise, discussing techniques like combining multiple octaves of noise for more detailed terrain, and using it for generating things beyond landscapes, like clouds or textures. Some pointed out the computational cost of Perlin noise and suggested alternatives like Simplex noise. A few users also offered additional resources and tools for working with procedural generation. One commenter highlighted the article's effective use of interactive diagrams, making it easier to grasp the concepts.
No Man's Sky's "Singularity" update dramatically expands the universe with billions of new stars, planets, and moons within newly generated galaxies. It introduces a new narrative focused on robotic consciousness and the mysteries of the Atlas, along with new robotic companions, enhanced visuals featuring improved lighting and shadows, revamped trading posts and settlements, and a streamlined inventory system. Players can now construct their own robotic bases and explore abandoned derelict freighters. The update also adds new starship technologies and expanded lore related to the game's overarching narrative.
Hacker News commenters generally expressed cautious optimism and some cynicism towards No Man's Sky's "Fractal" update. Several users highlighted the game's history of overpromising and underdelivering at launch, questioning whether this update would genuinely offer substantial new content or simply be another visually impressive but shallow addition. Some praised the developers' perseverance and ongoing support for the game, acknowledging its significant improvements since release. Others debated the technical feasibility and meaningfulness of generating "billions" of planets, with some suggesting it's primarily a marketing tactic. A few users expressed excitement about the prospect of exploring new, more varied planetary environments and the potential for enhanced gameplay. There was also discussion about procedural generation techniques and the limitations inherent in creating truly unique experiences within such a vast, procedurally generated universe.
This blog post breaks down the "Tiny Clouds" Shadertoy by iq, explaining its surprisingly simple yet effective cloud rendering technique. The shader uses raymarching through a 3D noise function, but instead of directly visualizing density, it calculates the amount of light scattered backwards towards the viewer. This is achieved by accumulating the density along the ray and weighting it based on the distance traveled, effectively simulating how light scatters more in denser areas. The post further analyzes the specific noise function used, which combines several octaves of Simplex noise for detail, and discusses how the scattering calculations create a sense of depth and illumination. Finally, it offers variations and potential improvements, such as adding lighting controls and exploring different noise functions.
Commenters on Hacker News largely praised the "Tiny Clouds" shader's elegance and efficiency, admiring the author's ability to create such a visually appealing effect with minimal code. Several discussed the clever use of trigonometric functions and noise to generate the cloud shapes, and some delved into the specifics of raymarching and signed distance fields. A few users shared their own experiences experimenting with similar techniques, and offered suggestions for further exploration, like adding lighting variations or animation. One commenter linked to a related Shadertoy example showcasing a different approach to cloud rendering, prompting a brief comparison of the two methods. Overall, the discussion highlighted the technical ingenuity behind the shader and fostered a sense of appreciation for its concise yet powerful implementation.
This blog post details a method for generating infinitely explorable 2D worlds using the Wave Function Collapse (WFC) algorithm. Instead of generating the entire world at once, which is computationally infeasible, the author employs a "sliding window" approach. This technique generates only a small portion of the world around the player, updating as the player moves. The key innovation lies in cleverly resolving boundary constraints between adjacent chunks, ensuring consistency and preventing contradictions as new areas are generated. This allows for seamless exploration of a theoretically infinite world, though repeating patterns may eventually emerge due to the finite nature of the input tileset.
Hacker News users generally praised the linked blog post for its clear explanation of the Infinite Wave Function Collapse algorithm and its impressive visual results. Several commenters discussed the performance implications and potential optimizations, with one suggesting using a "chunk-based" approach for better performance. Some pointed out similarities and differences to other procedural generation techniques, including midpoint displacement and Perlin noise. Others expressed interest in the potential applications of the algorithm, particularly in game development for creating vast, explorable worlds. A few commenters also linked to related projects and resources, including a similar implementation in Rust and a discussion about generating infinite terrain. Overall, the comments reflect a positive reception to the post and a general enthusiasm for the potential of the algorithm.
Summary of Comments ( 34 )
https://news.ycombinator.com/item?id=43355521
The Hacker News comments on "Honey Bunnies" largely express fascination and appreciation for the visual effect and the underlying shader code. Several commenters dive into the technical details, discussing how the effect is achieved through signed distance fields (SDFs) and raymarching in GLSL. Some express interest in exploring the code further and adapting it for their own projects. A few commenters mention the nostalgic feel of the visuals, comparing them to older demoscene productions or early 3D graphics. There's also some lighthearted discussion about the name "Honey Bunnies" and its apparent lack of connection to the visual itself. One commenter points out the creator's previous work, highlighting their consistent output of interesting graphical experiments. Overall, the comments reflect a positive reception to the artwork and a shared curiosity about the techniques used to create it.
The Hacker News post titled "Honey Bunnies" links to a WebGL experiment called "fro_9". The discussion in the comments section is relatively brief and focuses primarily on technical aspects of the demo and similar graphical effects.
One commenter highlights the demo's effective use of signed distance fields (SDFs) to render the complex, interwoven shapes. They appreciate the aesthetic achieved with relatively simple rendering techniques. This commenter also points out the clever use of "domain repetition" within the SDF, enabling the creation of repeating patterns across the scene without needing to explicitly define each individual element. They further delve into the technicalities of SDFs, explaining that the underlying distance function determines the rendered object's shape, allowing for complex forms to be described mathematically. This commenter links to Inigo Quilez's work, a well-known figure in the computer graphics community, recognizing him as a resource for learning more about SDFs and their applications.
Another commenter questions the choice of the title "Honey Bunnies," expressing confusion about its connection to the visual content of the demo. This points out a disconnect between the artistic presentation and its chosen label.
A third commenter shares a personal anecdote about encountering similar rendering techniques in the demoscene, specifically within the work of a group called "Farbrausch." They mention "fr-041: debris," highlighting its intricate visuals and the technical ingenuity behind its creation. This comment contributes historical context and connects the demo to a broader artistic movement.
Finally, the original poster (OP) responds to the question about the title, clarifying that "Honey Bunnies" is simply the name assigned to this particular experiment within a larger series. They explain their naming convention involves random word pairings. This explanation sheds light on the seemingly arbitrary title and reveals the OP's broader creative process.
In summary, the comments on the Hacker News post offer a mix of technical appreciation for the demo's use of SDFs, a brief exploration of its historical context within the demoscene, and an explanation for the somewhat puzzling title. While the discussion is not extensive, it provides some interesting insights into the demo's creation and its place within the broader landscape of computer graphics.