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Why old games never die, but new ones do

Posted: 2025-05-24 21:29:05

Older games often achieve a lasting appeal that many modern titles lack, due to a combination of factors. Simpler designs and smaller scopes meant more focus on core gameplay loops, which fosters replayability and allows communities to master and explore the mechanics in depth, even creating their own content through modding. Modern games, burdened by larger budgets, often prioritize graphics and complex systems that can detract from engaging core gameplay and become outdated quickly. Additionally, live service models with ongoing updates and microtransactions can fracture communities and make it difficult to revisit older versions, effectively killing the game as it existed at launch. These older, simpler games remain accessible and enjoyable precisely because they are complete and unchanging experiences.

The blog post "Why old games never die, but new ones do" by pleromanonx86 delves into the intriguing phenomenon of longevity in video games, exploring why certain titles from previous eras maintain vibrant communities and enduring appeal while many contemporary releases fade into obscurity relatively quickly. The author posits that this disparity arises from a confluence of factors related to design philosophy, technological advancements, and the evolving dynamics of the gaming industry.

One key argument centers around the concept of "completeness" at launch. Older games, often constrained by technological limitations, tended to be released as fully realized experiences, offering a defined scope of content that players could fully explore and master. In contrast, many modern games, particularly within the "live service" model, are released in a perpetually evolving state, relying on continuous updates, expansions, and microtransactions to extend their lifespan. This constant flux, while potentially engaging in the short term, can lead to a sense of incompleteness and a lack of definitive closure, ultimately contributing to a game's decline as players move on to the next evolving experience.

The author further elaborates on the impact of technological advancements. While modern games boast impressive graphical fidelity and complex mechanics, these advancements can paradoxically create barriers to entry and long-term preservation. Older games, with their simpler technical requirements, are easily accessible on a wide range of hardware, even decades after their initial release. Furthermore, their comparatively simpler codebases make them easier to modify and maintain by dedicated communities, ensuring their continued playability even as original development support ceases. Modern games, tied to specific hardware platforms and complex software ecosystems, face greater challenges in terms of long-term accessibility and preservation, potentially leading to their eventual demise as technology marches forward.

Furthermore, the author touches upon the shifting landscape of the gaming industry. The increasing prevalence of online multiplayer and competitive gaming contributes to a faster churn rate for modern titles. As player bases migrate to newer releases with updated features and competitive metas, older online games can quickly become ghost towns. This contrasts with the enduring appeal of single-player or locally multiplayer experiences found in many older games, which remain accessible and enjoyable regardless of the current gaming trends.

Finally, the author suggests a nostalgic element contributing to the longevity of older games. For many players, these titles represent a connection to their past, evoking fond memories and a sense of familiarity. This nostalgic appeal can sustain interest in older games long after their initial popularity has waned, creating a dedicated community that continues to play and celebrate these classic experiences. In essence, the author argues that while technological advancements and evolving industry practices have undoubtedly enriched the gaming landscape, they have also introduced factors that can contribute to the ephemeral nature of many modern titles, contrasting sharply with the enduring legacy of their older counterparts.

Summary of Comments ( 245 )
https://news.ycombinator.com/item?id=44083917

HN users generally agreed with the premise that older games are more replayable, citing factors like simpler design focusing on core gameplay loops, and a lack of aggressive monetization schemes. Some argued that "new" in the title really meant AAA games with bloated budgets and feature creep, contrasting them with indie games which often capture the spirit of older titles. Several commenters highlighted the importance of moddability and community-driven content in extending the lifespan of older games. Others pointed out the nostalgia factor and the rose-tinted glasses through which older games are viewed, acknowledging that many releases from the past were simply forgotten. A few dissenting voices argued that newer games also have staying power, especially in genres like strategy and grand strategy, suggesting the author's generalization was too broad.

The Hacker News post titled "Why old games never die, but new ones do" (linking to a blog post on pleromanonx86.wordpress.com) generated a moderate amount of discussion. Several commenters offered perspectives that expanded on or challenged the original blog post's premise.

A compelling line of discussion revolved around the concept of "discoverability." Some users argued that older games benefit from nostalgia and established communities, making them easier to find and connect with, even years later. Conversely, the sheer volume of new releases makes it difficult for modern games to stand out, even if they possess similar or superior qualities. This echoes the blog post's point about the overwhelming nature of choice in today's gaming landscape.

Several comments highlighted the impact of ongoing development and community modding. Users noted that many older games enjoy continued life through fan patches, mods, and private servers, which fix bugs, add content, and even allow players to experience the game in new ways. This ongoing community involvement contributes to their longevity, a feature less common with newer titles, especially online games that rely on official server support.

The discussion also touched on the differences in design philosophy between older and newer games. Some users felt that older games prioritized gameplay mechanics and replayability, while newer games often focus more on graphics, narrative, or a shorter, more curated experience. This difference in focus, they argued, can impact a game's long-term appeal.

Another perspective suggested that the blog post's premise wasn't entirely accurate. Some commenters pointed out that many modern games maintain active player bases for years, particularly in genres like MMOs and competitive online games. They argued that the perception of newer games "dying" might be skewed by the rapid pace of the industry and the constant influx of new releases.

The idea of accessibility and cost was also mentioned. Older games are often cheaper and easier to run on a wider range of hardware, broadening their potential audience. Furthermore, the lack of always-online requirements and aggressive DRM in older games can make them more appealing to players who prefer offline or single-player experiences.

While there was some disagreement on the nuances of the blog post's argument, the comments generally agreed that factors like community engagement, ongoing development, design choices, and discoverability all play a role in a game's lifespan. The conversation provided valuable insights into the complex dynamics that determine why some games endure while others fade into obscurity.

Making Video Games (Without an Engine) in 2025

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Posted: 2025-05-20 05:54:58

The author envisions a future (2025 and beyond) where creating video games without a traditional game engine becomes increasingly viable. This is driven by advancements in web technologies like WebGPU, which offer native performance, and readily available libraries handling complex tasks like physics and rendering. Combined with the growing accessibility of AI tools for asset creation and potentially even gameplay logic, the barrier to entry for game development lowers significantly. This empowers smaller teams and individual developers to bring their unique game ideas to life, focusing on creativity rather than wrestling with complex engine setup and low-level programming. This shift mirrors the transition seen in web development, moving from manual HTML/CSS/JS to higher-level frameworks and tools.

Noel Berry's blog post, "Making Video Games (Without an Engine) in 2025," envisions a future where game development, particularly for smaller, independent creators, shifts away from monolithic game engines toward a more modular and specialized toolset. Berry posits that the increasing complexity and "black box" nature of contemporary engines like Unity and Unreal Engine, while beneficial for large-scale projects, are becoming cumbersome and overkill for smaller endeavors. He foresees a renaissance of handcrafted development, utilizing a carefully curated collection of bespoke tools tailored to the specific needs of individual projects.

This prediction stems from several observations. First, Berry highlights the rising performance capabilities of lower-level APIs like Vulkan and WebGPU, which grant developers more direct control over hardware and potentially offer substantial performance gains compared to the abstraction layers present in conventional engines. These APIs, previously considered daunting due to their complexity, are becoming more accessible thanks to improving documentation and the emergence of helpful libraries and tools that streamline their usage.

Second, the blog post argues for the growing viability of assembling a custom "engine" by combining specialist libraries focused on particular aspects of game development, such as rendering, physics, audio, and input handling. This modular approach allows developers to choose precisely the tools they require, optimizing for performance, size, and control. The post specifically references examples like Bevy for Rust developers, offering a taste of this more granular approach.

Furthermore, Berry anticipates an increase in the adoption of open-source libraries and a shift towards a more collaborative ecosystem of tool development. This communal effort could potentially lead to a rich tapestry of interoperable tools, each specializing in a specific area and catering to a diverse range of development needs. He imagines a future where sharing and exchanging custom tools becomes a common practice within the game development community, fostering innovation and accelerating development.

The post also touches upon the advantages of data-oriented design and pre-compiled pipelines, particularly within the context of improving loading times and runtime performance. This approach, when combined with the bespoke tool philosophy, enables developers to finely tune the execution flow of their game, achieving high performance levels tailored to their specific needs.

Finally, Berry acknowledges that while this modular approach may not entirely replace established game engines for large AAA productions with their extensive resource requirements, it presents an exciting alternative for indie developers and smaller teams. This allows them to sidestep the inherent overhead of large engines, fostering a more direct, creative connection with the code and enabling the creation of more unique and specialized gaming experiences. The post ultimately paints a picture of a more democratized and adaptable game development landscape, where smaller creators are empowered by a vibrant ecosystem of specialized tools.

Summary of Comments ( 143 )
https://news.ycombinator.com/item?id=44038209

Hacker News users discussed the practicality and appeal of the author's approach to game development. Several commenters questioned the long-term viability of building and maintaining custom engines, citing the significant time investment and potential for reinventing the wheel. Others expressed interest in the minimalist philosophy, particularly for smaller, experimental projects where creative control is paramount. Some pointed out the existing tools like raylib and Love2D that offer a middle ground between full-blown engines and building from scratch. The discussion also touched upon the importance of understanding underlying principles, regardless of the chosen tools. Finally, some users debated the definition of a "game engine" and whether the author's approach qualifies as engine-less.

The Hacker News post "Making Video Games (Without an Engine) in 2025" generated a moderate discussion with several insightful comments. Many of the commenters engaged with the author's premise of building a game from scratch, using only libraries like SDL, and the implications of this approach for the future of game development.

Several commenters focused on the practicalities and trade-offs of engine-less game development. One commenter questioned the author's choice of SDL, suggesting that more modern alternatives like SFML might offer better performance and features for a similar level of control. Another pointed out the significant time investment required to build core engine functionalities, like physics and rendering, from the ground up. This commenter argued that while the learning experience is valuable, using an existing engine is drastically more efficient for most projects, especially for solo developers or small teams. Related to this, another user highlighted the potential benefits of smaller, more modular engines or libraries as a middle ground between full-fledged engines and building everything from scratch. They suggested this approach would offer more control than larger engines while still avoiding the considerable effort of completely reinventing the wheel.

The discussion also touched upon the evolving role of game engines and their potential future. One commenter predicted that engines might evolve into more specialized tools, catering to specific game genres or platforms. They envisioned a future where "micro-engines" or collections of libraries become more prevalent, empowering developers to customize their toolsets based on their individual needs. Another user suggested that the increasing complexity of modern game development might necessitate a shift towards more specialized roles within teams, with some developers focusing solely on engine-level development. They posited that this specialization might mirror the evolution of web development, where specialized frontend and backend developers have become commonplace.

A few commenters also shared their personal experiences and opinions on the matter. One commenter recounted their own experience building a game from scratch and echoed the sentiment that while challenging and time-consuming, it provided invaluable insights into the inner workings of game engines. Another commenter shared their preference for using existing engines but acknowledged the educational value and potential for innovation in taking a more DIY approach.

Overall, the comments reflect a nuanced perspective on the future of game development, acknowledging the benefits of both engine-based and engine-less approaches. The discussion highlights the importance of carefully evaluating the trade-offs between control, efficiency, and learning when choosing the right tools for a project. It also suggests a potential future where the game development landscape becomes more diverse, with a wider range of engines and tools catering to different needs and development styles.

The Game Designer Playing Through His Own Psyche

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Posted: 2025-03-24 10:39:32

The New Yorker profiles game designer Jason Rohrer, exploring his intensely personal approach to game creation. Rohrer's games, often minimalist and emotionally resonant, act as a form of self-exploration, delving into his anxieties about death, legacy, and human connection. The article highlights his unique design philosophy, which prioritizes profound experiences over traditional gameplay mechanics, exemplified by projects like "One Hour One Life" and "Sandspiel." It portrays Rohrer as a restless innovator constantly seeking new ways to express complex emotions through interactive media, pushing the boundaries of what games can be.

In a compelling exploration of the intersection of personal experience, artistic expression, and the complexities of the human psyche, the New Yorker article, “The Game Designer Playing Through His Own Psyche,” delves into the life and work of Jason Rohrer, a highly regarded independent video game designer. Rohrer is renowned for crafting unconventional games that often eschew traditional gameplay mechanics in favor of provoking profound introspection and philosophical contemplation within the player. The article meticulously details how Rohrer's personal struggles, particularly his grappling with the specter of familial mental illness and his own anxieties surrounding inherited predispositions, have become both the driving force and the thematic bedrock of his creative endeavors.

The piece portrays Rohrer's artistic journey as a deeply personal form of therapy, a digital canvas onto which he projects his fears and anxieties, transforming them into interactive experiences that allow players to engage with these often-uncomfortable themes in a unique and thought-provoking manner. It examines several of his key creations, explicating how each game serves as a window into his internal landscape. The article specifically highlights how Rohrer utilizes the medium of video games not merely as entertainment but as a vehicle for exploring profound questions about existence, mortality, and the human condition. His games, often characterized by minimalist aesthetics and open-ended gameplay, invite players to actively participate in the construction of meaning, blurring the lines between creator and audience.

Rohrer's rejection of conventional game design principles, such as explicit objectives and clear win conditions, is discussed as a deliberate artistic choice. This unconventional approach encourages players to confront existential questions head-on, fostering a sense of unease and uncertainty that mirrors Rohrer's own internal struggles. The article elucidates how Rohrer’s games, through their deliberate ambiguity and focus on player interpretation, become a kind of shared therapeutic space where players can grapple with their own anxieties and interpretations of life's inherent uncertainties.

Furthermore, the piece explores the critical reception of Rohrer's work, acknowledging both the praise he has received for his innovative approach and the challenges he has faced in gaining mainstream acceptance. His games, often described as "art games," occupy a niche within the broader gaming landscape, appealing to a specific audience drawn to their intellectual and emotional depth. The article paints a portrait of Rohrer as an artist relentlessly pushing the boundaries of his chosen medium, unafraid to explore difficult and deeply personal themes, even at the risk of alienating some players. Ultimately, the New Yorker piece presents Rohrer as a compelling figure in the world of independent game development, a creator whose work transcends mere entertainment to become a poignant and deeply personal exploration of the human condition.

Summary of Comments ( 45 )
https://news.ycombinator.com/item?id=43459361

HN commenters generally found the article interesting and appreciated the designer's vulnerability in exploring his mental health through game development. Some discussed the potential of games for self-discovery and therapeutic applications, while others drew parallels to other introspective games and creators. A few questioned the efficacy of this approach, expressing skepticism about the ultimate value of turning personal struggles into a game. The most compelling comments focused on the blurring lines between game design, art, and therapy, debating the extent to which such deeply personal games can resonate with a wider audience and whether the process itself is inherently therapeutic for the creator. Several commenters also appreciated the article's nuanced portrayal of mental health struggles, moving beyond simple narratives of recovery.

The Hacker News post titled "The Game Designer Playing Through His Own Psyche" (linking to a New Yorker article about game designer Jason Rohrer) has generated a moderate number of comments, mostly discussing Rohrer's work, his philosophical approach to game design, and the nature of art and creativity.

Several commenters express admiration for Rohrer's unique approach to game design, highlighting his focus on exploring complex themes and emotions through minimalist mechanics. They appreciate his willingness to experiment and push the boundaries of the medium, creating games that are thought-provoking and emotionally resonant. Some mention specific games like "Passage" and "One Hour One Life" as examples of his innovative work.

A recurring theme in the comments is the discussion of Rohrer's apparent shift in focus from traditional game design to more philosophical and artistic pursuits. Some commenters speculate on the reasons for this shift, suggesting that it might stem from a desire to explore deeper questions about life, meaning, and the human condition. There's a sense of respect for his artistic evolution, even if some express a preference for his earlier, more game-focused work.

Some commenters delve into the specific philosophies mentioned in the article, such as existentialism and absurdism, and how these philosophies manifest in Rohrer's games. They discuss the idea of using games as a medium for exploring complex philosophical concepts and the potential of interactive art to engage players on an emotional and intellectual level.

A few commenters express skepticism about Rohrer's approach, questioning the depth and meaning of his work. They argue that some of his games might be overly simplistic or pretentious, and that the philosophical themes might be superficial or underdeveloped. However, even these critical comments contribute to a nuanced discussion about the nature of art, the role of the artist, and the subjective interpretation of creative works.

There's also a thread discussing the challenges of making a living as an independent game developer, particularly one who focuses on experimental and unconventional projects. Commenters acknowledge the financial pressures that can influence artistic choices and the difficulties of balancing creative vision with commercial viability.

Overall, the comments on the Hacker News post provide a thoughtful and engaging discussion about Jason Rohrer's work, his philosophical influences, and the broader context of art, game design, and the creative process. While there's a mix of perspectives and opinions, the overall tone is respectful and demonstrates a genuine interest in Rohrer's unique approach to his craft.

Show HN: Editable Games

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Posted: 2025-03-10 15:31:57

Playscl is a platform for creating and playing simple, editable games. Users can modify existing games or build their own from scratch using a visual, block-based scripting language. The focus is on accessibility and ease of use, encouraging experimentation and sharing within the community. The platform aims to empower users to not just play games, but to understand and modify the mechanics behind them, fostering creativity and learning through playful exploration.

Summary of Comments ( 0 )
https://news.ycombinator.com/item?id=43321688

HN commenters were generally positive about the "editable games" concept presented. Several praised the simplicity and educational potential, suggesting it could be a great tool for teaching programming concepts or creating quick prototypes. Some expressed interest in seeing more complex examples and features like multiplayer functionality. A few commenters drew parallels to existing platforms like Bitsy and Pico-8, highlighting the niche this project fills for accessible game creation. Some questioned the long-term viability and whether the "edit while playing" aspect was truly novel, but the overall reception leaned towards appreciation for its ease of use and potential as a learning tool or creative outlet. A couple of users pointed out missing features such as undo/redo and improved UI elements.

The Hacker News post "Show HN: Editable Games" with the URL https://playscl.com/make sparked a modest discussion with several insightful comments.

One commenter expressed excitement about the potential for educational games and the possibility of building a "programmable space" within the game, allowing players to create and share their own game logic. They were particularly interested in the idea of combining this with a visual scripting language.

Another commenter pointed out the similarity to the game "Kodu," developed by Microsoft Research, which offered a visual programming environment for creating games on the Xbox 360. They praised Kodu's intuitive interface and suggested that the project highlighted in the HN post could benefit from a similar approach.

Further discussion revolved around the challenges of discoverability for user-created content. One commenter emphasized the importance of making it easy for players to find and play games created by others. They suggested implementing a system for sharing and browsing user-generated content, perhaps incorporating features like tagging, searching, and curated lists.

A later comment questioned the closed-source nature of the platform and proposed that open-sourcing the project could foster a larger community and accelerate development. This sparked a brief discussion about the trade-offs between open and closed-source models.

Other comments touched on technical aspects, including the choice of JavaScript for the game engine and the potential for performance issues. One user inquired about the specific JavaScript libraries used and expressed concern about the scalability of the approach.

Overall, the comments expressed a mixture of enthusiasm for the project's potential and pragmatic concerns about its implementation and long-term viability. The discussion highlighted the importance of user-generated content discoverability, the potential benefits of open-sourcing, and the technical challenges of building a robust and scalable game creation platform.

How Flash games shaped the video game industry (2020)

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Posted: 2025-03-02 00:05:30

Flash games were a pivotal force in the evolution of the video game industry. Accessible through web browsers with minimal hardware requirements, Flash enabled a surge in indie game development, fostering experimentation and innovation in genres, gameplay mechanics, and monetization strategies. Many prominent developers and studios honed their skills creating Flash games, leading to the rise of indie studios and influencing later mainstream titles. The platform democratized game creation, enabling anyone with a computer and creativity to share their work with a global audience, shaping the landscape of modern gaming by paving the way for web-based gaming, mobile gaming, and the independent game development scene we know today.

The demise of Adobe Flash Player at the close of 2020 marked not merely the end of an era for internet browsing, but also a significant turning point in the history of video games. "How Flash Games Shaped the Video Game Industry (2020)," a retrospective published on FlashGameHistory.com, meticulously details the profound and multifaceted impact of Flash games on the gaming landscape. The article posits that Flash, with its accessible development environment and ubiquitous browser integration, democratized game creation, empowering countless individuals, particularly hobbyists and independent developers, to design, build, and share their interactive creations with a global audience. This low barrier to entry fostered an explosion of creativity and innovation, resulting in a diverse and often experimental array of game genres and mechanics that pushed the boundaries of traditional gaming.

The article highlights several key contributions of Flash games. It emphasizes how Flash fostered the growth of independent game development, nurturing talents who later became prominent figures in the industry. The readily available platform offered a crucial stepping stone for aspiring developers to hone their skills, experiment with novel concepts, and gain invaluable experience without the significant financial barriers associated with console or PC game development. Furthermore, the article underscores the influence of Flash games on the popularization of specific game genres, notably tower defense, platformers, and puzzle games, which, thanks to their browser-based accessibility, reached a massive audience and subsequently influenced mainstream gaming trends.

Beyond genre innovation, the piece explores how Flash games played a pivotal role in the evolution of online game distribution and monetization models. The ease with which Flash games could be embedded on websites facilitated the rise of web portals dedicated to hosting and showcasing these creations, effectively establishing early precursors to contemporary online game distribution platforms. Moreover, the adoption of microtransactions and advertising within Flash games paved the way for the widespread integration of these monetization strategies in the broader gaming industry, contributing to the "free-to-play" model that dominates mobile and online gaming today.

In conclusion, FlashGameHistory.com's retrospective argues that Flash games, while often overlooked or dismissed as simple browser diversions, served as a crucial incubator for talent, innovation, and distribution models that fundamentally reshaped the video game industry. The article paints a picture of a vibrant and influential period in gaming history, emphasizing how the accessibility and widespread adoption of Flash technology enabled a flourishing ecosystem of independent creators and ultimately left an indelible mark on the interactive entertainment landscape we know today. The sunsetting of Flash, therefore, represents not just the end of a technology, but the closing of a chapter that profoundly influenced the trajectory of video game development and distribution.

Summary of Comments ( 119 )
https://news.ycombinator.com/item?id=43225560

HN users largely praised the article for its thoroughness and nostalgic value, recalling their own experiences with Flash games and the impact they had on their childhoods or careers. Several commenters highlighted specific games and developers that resonated with them, showcasing the breadth and influence of the Flash gaming era. Some discussed Flash's accessibility as a development platform, enabling a generation of amateur game creators. Others lamented the loss of these games due to Flash's demise and the challenges of preservation, with a few mentioning BlueMaxima's Flashpoint project as a valuable preservation effort. The technical limitations of Flash, which fostered creativity, were also a topic of conversation.

The Hacker News post linking to the Flash Game History website has generated a substantial discussion with over 100 comments. Many commenters share a sense of nostalgia for the era of Flash games, recalling specific titles and developers that shaped their childhoods or early careers. Several compelling threads emerge from the conversation:

The impact of Flash on indie game development: Numerous comments highlight how Flash's accessibility and ease of use democratized game creation, allowing aspiring developers without extensive programming knowledge to bring their ideas to life. This, in turn, fostered a vibrant indie scene and paved the way for many successful game developers who got their start with Flash. Some commenters specifically mention how Flash's limitations encouraged creativity and innovation.
Specific influential Flash games and portals: The comments are peppered with mentions of beloved Flash games, including titles like The Worlds Hardest Game, Alien Hominid, Fancy Pants Adventures, and various Newgrounds and Kongregate games. These mentions often spark further discussion and reminiscing about the gameplay, music, and overall impact of these games. The role of portals like Newgrounds, Kongregate, Armor Games, and Addicting Games in distributing and popularizing Flash games is also discussed.
The demise of Flash and its legacy: Several commenters lament the end of Flash and the loss of a significant portion of gaming history. Discussions revolve around the challenges of preserving Flash games and the efforts being made to emulate them. There's also reflection on how Flash's influence can still be seen in modern web games and the broader indie game development landscape.
Flash's technical aspects and limitations: A few technically-inclined commenters discuss the specific features of Flash, such as ActionScript, and how its performance limitations sometimes led to creative solutions and optimization techniques. Some commenters also touch on the security vulnerabilities that ultimately contributed to Flash's decline.
The role of Flash in education and learning to code: Several individuals share personal anecdotes about learning to code through Flash, highlighting its educational value and the inspiration it provided for pursuing careers in software development or game design.

Overall, the comments paint a picture of Flash as a pivotal platform that played a crucial role in shaping the video game industry, fostering indie development, and inspiring a generation of gamers and developers. The conversation is filled with nostalgia, technical insights, and reflections on the lasting legacy of Flash games.

Surface-Stable Fractal Dither on Playdate

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Posted: 2025-02-18 03:04:19

Aras Pranckevičius details a technique for creating surface-stable fractal dithering on the Playdate handheld console. The core idea is to generate dithering patterns not in screen space, but in a "surface" space that's independent of the rendered object's movement or animation. This surface space is then sampled in screen space, allowing the dither pattern to remain consistent relative to the object's surface, avoiding distracting "swimming" artifacts that occur with traditional screen-space dithering. The implementation uses a precomputed 3D noise texture as the basis for the fractal pattern and leverages the Playdate's CPU for the calculations, achieving a visually pleasing and performant dithering solution for the device's limited display.

A blog post by Aras Pranckevičius, titled "Surface-Stable Fractal Dither on Playdate," delves into the intricacies of implementing a visually appealing and performant dithering technique on the Playdate handheld gaming console. The author's primary motivation stems from the Playdate's unique 1-bit display, which only renders black or white pixels, thus requiring dithering to simulate shades of gray. Conventional ordered dithering patterns, while effective, can introduce noticeable shimmering or swimming artifacts, especially when elements move on the screen. This is because the dithering pattern remains fixed in screen space, leading to different pixel representations of the same object as it traverses the display.

To address this issue, the author explores surface-stable dithering, also known as object-stable or texture-stable dithering. This technique aims to attach the dithering pattern to the object being drawn, rather than the screen itself. As a result, the dithering pattern moves along with the object, mitigating the shimmering artifacts often associated with screen-space dithering. The blog post explains that achieving surface-stable dithering typically involves generating a spatially varying pseudorandom value, which is then used to threshold the grayscale image being dithered. The author initially investigates using a simple Bayer matrix for this purpose, which proves computationally inexpensive. However, Bayer matrices exhibit noticeable regularity in their patterns, which can be visually distracting.

The author then transitions to utilizing a fractal Brownian motion (fBm) approach to generate the pseudorandom values needed for dithering. This technique, based on the concept of summing scaled and offset copies of a base noise function, produces a more visually pleasing and less regular dithering pattern compared to the Bayer matrix. The post details how fBm can be efficiently computed using a tileable noise function and bitwise operations, making it suitable for the resource-constrained environment of the Playdate. Furthermore, the author leverages the Playdate's SDK's optimized graphics.fillPattern function, which allows for fast drawing of repeating patterns, to implement the fBm dithering. This results in a significant performance improvement over a naive pixel-by-pixel drawing approach. The author also discusses a small optimization related to precalculating and storing certain fBm values to further reduce computational overhead.

Ultimately, the blog post showcases a successful implementation of surface-stable fractal dithering on the Playdate, demonstrating a visually superior and performant solution for rendering grayscale images on the handheld's 1-bit display. The author's approach effectively addresses the shortcomings of traditional ordered dithering by tying the dithering pattern to the object being drawn, thereby minimizing unwanted shimmering and enhancing the overall visual experience.

Summary of Comments ( 20 )
https://news.ycombinator.com/item?id=43085665

HN commenters generally praised the visual appeal and technical cleverness of the dithering technique. Several appreciated the detailed explanation and clear diagrams in the blog post, making it easy to understand the algorithm. Some discussed potential applications beyond the Playdate, including shaders and other limited-palette situations. One commenter pointed out a potential similarity to Bayer ordered dithering at higher resolutions, suggesting it might be a rediscovery of a known technique. Another questioned the "surface stability" claim, arguing that the pattern still shifts with movement. A few users shared links to related resources on dithering and fractal patterns.

The Hacker News post titled "Surface-Stable Fractal Dither on Playdate" generated several interesting comments discussing the technique and its applications.

Several commenters praised the visual appeal and technical cleverness of the dithering method. One commenter highlighted the smoothness of the animation, particularly when compared to traditional ordered dithering techniques that can produce noticeable shimmering. They expressed admiration for how the technique retains detail while minimizing temporal artifacts. Another user focused on the efficiency of the algorithm, noting that its computational simplicity makes it well-suited for resource-constrained devices like the Playdate. This commenter speculated on the possibilities of using similar techniques in other contexts where processing power is limited.

The discussion also touched upon the broader implications of the technique. One commenter pondered the potential for using fractal dithering in VR applications to mitigate aliasing issues or improve the perceived resolution of textures. Another user discussed the historical context of dithering techniques, mentioning their importance in the early days of computer graphics when color palettes were limited. They appreciated the way this new technique built upon those foundational ideas.

Some commenters delved into the technical details of the algorithm. One user inquired about the specific implementation on the Playdate's hardware and whether the author leveraged any unique features of the platform. Another commenter discussed the mathematical properties of fractals and how they contribute to the stability and visual quality of the dithering pattern. This comment mentioned the concept of self-similarity and how it helps prevent flickering.

Finally, several commenters expressed interest in experimenting with the technique themselves, with some requesting code examples or further details on the implementation. One commenter even suggested potential improvements to the algorithm, proposing the use of different fractal patterns or exploring alternative methods for generating the dithering matrix.

No Man's Sky's update introduces billions of new stars, planets, and more

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Posted: 2025-01-29 17:59:28

No Man's Sky's "Singularity" update dramatically expands the universe with billions of new stars, planets, and moons within newly generated galaxies. It introduces a new narrative focused on robotic consciousness and the mysteries of the Atlas, along with new robotic companions, enhanced visuals featuring improved lighting and shadows, revamped trading posts and settlements, and a streamlined inventory system. Players can now construct their own robotic bases and explore abandoned derelict freighters. The update also adds new starship technologies and expanded lore related to the game's overarching narrative.

Hello Games, the indefatigable developers behind the procedurally generated space exploration epic, No Man's Sky, have once again dramatically expanded the already incomprehensibly vast universe of their flagship title. In a recent announcement detailed on the official PlayStation Blog, published on January 29th, 2025, they unveiled a monumental update that introduces billions upon billions of new celestial bodies, encompassing stars, planets, and moons, effectively multiplying the already staggering scale of the game’s explorable cosmos. This expansion, far from simply adding more procedurally generated terrain, represents a fundamental shift in the underlying technology powering the game's universe generation, dubbed the "Voyager" engine.

This new engine signifies more than just an increase in quantity; it promises a qualitative leap in the diversity and richness of planetary environments. Players can anticipate encountering entirely new biomes characterized by unique flora, fauna, and atmospheric conditions, further enhancing the sense of wonder and discovery that lies at the heart of the No Man's Sky experience. The Voyager engine allows for more varied and dramatic terrain generation, including towering mountain ranges that pierce the clouds and cavernous subterranean networks ripe for exploration. Furthermore, the update introduces new and unusual planetary formations, hinting at exotic and hitherto unseen geological phenomena awaiting intrepid explorers.

Beyond the geological enhancements, the update also focuses on improving the player experience with revised inventory management and an overhauled user interface designed for improved clarity and ease of use. These refinements streamline the core gameplay loop, allowing players to spend less time managing menus and more time immersed in the game's boundless universe. Additionally, the update introduces new story content, promising engaging narratives and mysteries to unravel amidst the backdrop of the newly expanded cosmos. Players can embark on fresh expeditions, encounter unique characters, and delve deeper into the lore and secrets of the No Man's Sky universe.

This latest update represents yet another significant step in the ongoing evolution of No Man's Sky, a testament to Hello Games' continued commitment to expanding and refining the game years after its initial release. The introduction of billions of new stars and planets, coupled with the advancements brought by the Voyager engine and the refined player experience, promises to revitalize the exploration experience and draw players back into the awe-inspiring vastness of this ever-evolving digital cosmos. It invites both seasoned veterans and newcomers alike to embark on new adventures, uncover hidden wonders, and lose themselves in the seemingly infinite expanse of No Man's Sky's revitalized universe.

Summary of Comments ( 82 )
https://news.ycombinator.com/item?id=42868618

Hacker News commenters generally expressed cautious optimism and some cynicism towards No Man's Sky's "Fractal" update. Several users highlighted the game's history of overpromising and underdelivering at launch, questioning whether this update would genuinely offer substantial new content or simply be another visually impressive but shallow addition. Some praised the developers' perseverance and ongoing support for the game, acknowledging its significant improvements since release. Others debated the technical feasibility and meaningfulness of generating "billions" of planets, with some suggesting it's primarily a marketing tactic. A few users expressed excitement about the prospect of exploring new, more varied planetary environments and the potential for enhanced gameplay. There was also discussion about procedural generation techniques and the limitations inherent in creating truly unique experiences within such a vast, procedurally generated universe.

The Hacker News post discussing the No Man's Sky update titled "No Man's Sky's update introduces billions of new stars, planets, and more" has generated several comments, mostly expressing positive sentiment towards the game's ongoing development and the scale of the new "Fractal" update.

Several commenters praise Hello Games, the developers, for their persistence and commitment to improving and expanding No Man's Sky since its controversial launch. One comment highlights the impressive turnaround the game has made, going from a source of disappointment to a highly-regarded example of a developer listening to and acting on player feedback. This sentiment is echoed by others who commend the "redemption arc" of the game.

A few comments dive into the technical aspects of the update, with one user questioning the feasibility of adding "billions" of new stars and planets, speculating about procedural generation and its limitations. Another comment responds by explaining that the update utilizes a new method of generating terrain, allowing for more varied and interesting planets, rather than simply increasing the raw number of celestial bodies. This discussion touches on the balance between scale and meaningful content.

Another recurring theme is the scale of the game itself, with users expressing awe at the vastness of the procedurally generated universe and the seemingly endless possibilities for exploration. Some comments reflect a sense of wonder and a desire to revisit the game or start playing for the first time, sparked by the update's promise of a richer and more diverse experience.

Some users humorously acknowledge the overwhelming scale, pointing out the absurdity of exploring even a small fraction of the game's universe. One comment jokes about the sheer number of planets still awaiting discovery even after extensive playtime.

There's also a discussion about the effectiveness of the game's marketing, with one user suggesting that the update is not receiving enough attention. Another user counters by highlighting the regular stream of positive coverage No Man's Sky receives, suggesting the marketing strategy is working well within the game's niche.

Overall, the comments reflect a largely positive reception to the update, praising Hello Games' dedication, the expanded scope of the game, and the sense of wonder it evokes. There's also a healthy dose of realistic commentary about the limitations of procedural generation and the sheer scale of the game world.

Luck Be a Landlord Might Be Banned from Google Play

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Posted: 2025-01-13 14:10:33

The popular mobile game Luck Be a Landlord faces potential removal from the Google Play Store due to its use of simulated gambling mechanics. Developer Trampoline Tales received a notice from Google citing a violation of their gambling policies, specifically the simulation of "casino-style games with real-world monetary value, even if there is no real-world monetary value awarded." While the game does not offer real-world prizes, its core gameplay revolves around slot machine-like mechanics and simulated betting. Trampoline Tales is appealing the decision, arguing the game is skill-based and comparable to other allowed strategy titles. The developer expressed concern over the subjective nature of the review process and the potential precedent this ban could set for other games with similar mechanics. They are currently working to comply with Google's request to remove the flagged content, though the specific changes required remain unclear.

The popular mobile game Luck Be a Landlord, a title that blends elements of slot machine mechanics with property management simulation, is facing the imminent threat of removal from the Google Play Store. This precarious situation has arisen due to the developer's staunch refusal to integrate changes demanded by Google pertaining to the game's depiction of simulated gambling. Google's policies, which aim to safeguard users from potential harm associated with gambling-like mechanics, specifically target the portrayal of simulated gambling as a path to financial gain. Luck Be a Landlord, with its core gameplay loop centered around spinning slots to acquire rent payments and upgrade properties, ostensibly falls within the purview of these regulations.

The developer, Dan, argues vehemently that Luck Be a Landlord is not, in fact, a gambling game. He contends that the game is fundamentally a strategy game, emphasizing the strategic choices players make regarding property acquisition and upgrades. While acknowledging the presence of randomized elements through the slot machine mechanic, he maintains that these elements are simply part of the game's overall design and do not constitute gambling in the traditional sense. Furthermore, he points out that the game does not offer real-world rewards or facilitate any form of monetary transactions related to the in-game mechanics, thereby further differentiating it from actual gambling.

Despite these arguments, Google appears resolute in its stance. The company has explicitly communicated to Dan that the game must be altered to comply with its policies, with suggested modifications including the removal of the slot machine visual metaphor or the introduction of alternative progression systems not reliant on simulated gambling mechanics. Dan, however, is resistant to these proposed changes, believing that they would fundamentally compromise the core gameplay loop and the very essence of Luck Be a Landlord. He perceives these demands as a form of censorship that stifles creative expression and undermines the artistic integrity of his game.

This impasse has created a tense standoff, with the ultimate fate of Luck Be a Landlord on the Google Play Store hanging in the balance. Dan faces a difficult choice: either acquiesce to Google's demands and potentially alter his game beyond recognition, or stand his ground on principle and risk the removal of his game from a major distribution platform, thereby significantly impacting its reach and accessibility to players. The situation highlights the ongoing tension between platform holders' content policies and developers' creative freedom, particularly in the increasingly complex landscape of mobile gaming.

Summary of Comments ( 122 )
https://news.ycombinator.com/item?id=42683567

Hacker News users discuss the potential ban of the mobile game "Luck Be a Landlord" from Google Play due to its gambling-like mechanics. Several commenters expressed sympathy for the developer, highlighting the difficulty of navigating Google's seemingly arbitrary and opaque enforcement policies. Others debated whether the game constitutes actual gambling, with some arguing that its reliance on random number generation (RNG) mirrors many other accepted games. The core issue appears to be the ability to purchase in-game currency, which, combined with the RNG elements, blurs the line between skill-based gaming and gambling in the eyes of some commenters and potentially Google. A few users suggested potential workarounds for the developer, like removing in-app purchases or implementing alternative monetization strategies. The overall sentiment leans toward frustration with Google's inconsistent application of its rules and the precarious position this puts independent developers in.

The Hacker News comments section for the linked article discusses the potential removal of the game "Luck Be a Landlord" from the Google Play Store due to its inclusion of simulated gambling. The discussion revolves around the fairness and consistency of Google's enforcement policies, the nature of gambling in games, and the potential impact on the game's developer.

Several commenters express confusion and frustration with Google's seemingly arbitrary enforcement of its gambling policies. They point out other games on the platform that contain similar mechanics, such as loot boxes or gacha systems, and question why "Luck Be a Landlord" is being singled out. Some speculate about the specific criteria Google uses to determine what constitutes prohibited gambling and suggest that the game's explicit real-world money theme might be a contributing factor. Others argue that the core gameplay loop itself, revolving around random chance and resource management, doesn't necessarily equate to gambling.

A significant portion of the discussion focuses on the impact this ban could have on the game's developer. Commenters express sympathy for the solo developer, highlighting the potential financial and emotional toll of losing a significant distribution platform. The perceived lack of clear communication and support from Google is also criticized. Some suggest alternative distribution methods, such as itch.io or direct sales, and encourage the developer to appeal the decision.

A few commenters delve into the broader discussion surrounding the definition of gambling in games. They debate whether the presence of real-world currency themes, the ability to purchase in-game items, or the element of chance are sufficient to classify a game as gambling. Some argue that "Luck Be a Landlord" falls into a gray area, while others maintain that its core mechanics are distinct from traditional gambling activities.

The overall sentiment in the comments section leans towards support for the game developer and skepticism towards Google's enforcement policies. Many express concerns about the potential chilling effect this ban could have on independent game developers, particularly those experimenting with unconventional mechanics. The lack of transparency and seemingly arbitrary nature of the ban are recurring points of contention.

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https://news.ycombinator.com/item?id=44083917

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https://news.ycombinator.com/item?id=44038209

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