By day, Dan Lane works at a Co-op in Exeter. By night, he's a globally recognized logo designer known as the "Lord of the Logos," creating iconic designs for bands like The Black Dahlia Murder and Aborted. His portfolio spans over 400 logos, including album artwork and merchandise designs for clients worldwide, a passion he pursues in his free time while maintaining his unassuming day job. He's built this impressive career largely through word-of-mouth and online networking within the metal music scene.
The New Yorker profiles game designer Jason Rohrer, exploring his intensely personal approach to game creation. Rohrer's games, often minimalist and emotionally resonant, act as a form of self-exploration, delving into his anxieties about death, legacy, and human connection. The article highlights his unique design philosophy, which prioritizes profound experiences over traditional gameplay mechanics, exemplified by projects like "One Hour One Life" and "Sandspiel." It portrays Rohrer as a restless innovator constantly seeking new ways to express complex emotions through interactive media, pushing the boundaries of what games can be.
HN commenters generally found the article interesting and appreciated the designer's vulnerability in exploring his mental health through game development. Some discussed the potential of games for self-discovery and therapeutic applications, while others drew parallels to other introspective games and creators. A few questioned the efficacy of this approach, expressing skepticism about the ultimate value of turning personal struggles into a game. The most compelling comments focused on the blurring lines between game design, art, and therapy, debating the extent to which such deeply personal games can resonate with a wider audience and whether the process itself is inherently therapeutic for the creator. Several commenters also appreciated the article's nuanced portrayal of mental health struggles, moving beyond simple narratives of recovery.
This 1993 New Yorker article profiles Abe Green, a man who spent over four decades as a fixture at the Beverly Hills Hotel pool. Green, a self-made millionaire, established a daily ritual of holding court poolside, becoming a peculiar part of the hotel's landscape. The piece explores Green's evolving relationship with the hotel, from his early days as a welcomed guest to his later years marked by increasing eccentricity and strained relations with management. It paints a portrait of a man seeking community and purpose in a glamorous yet ultimately transient environment, capturing a specific era of Hollywood history and the changing dynamics of the legendary hotel.
Hacker News users discuss the intriguing life of Abe Green, the subject of the New Yorker article. Several commenters express fascination with Green's dedication to a singular, seemingly mundane routine, spending decades poolside. Some question his motivations and mental state, pondering whether it represents a life well-lived or a form of obsessive escapism. Others romanticize his existence, viewing it as a unique pursuit of personal happiness, unburdened by societal expectations. A few commenters note the piece's portrayal of a bygone era of Hollywood glamour and the changing face of Los Angeles. There's also a short thread discussing the hotel itself and its history.
The Portland Mercury article argues that Poison Idea, despite their volatile history and lack of mainstream recognition, are the greatest hardcore band of all time. The band's aggressive sound, confrontational lyrics reflecting their bleak Portland surroundings, and relentless touring cemented their influence on countless bands. Frontman Jerry A.'s outsized personality and struggles with addiction, while contributing to the band's instability, also added to their legend. The piece positions Poison Idea not just as a vital part of Portland's music scene, but as a crucial act in hardcore's evolution, inspiring generations with their raw power and uncompromising vision.
HN commenters discuss Portland's hardcore punk scene and Poison Idea's influence. Some debate the band's status as the "greatest of all time," with some suggesting other influential bands like Black Flag and Minor Threat. Others reminisce about seeing Poison Idea live, recalling their intense performances and Jerry A.'s powerful stage presence. Several commenters also touch upon the darker aspects of the band and the Portland scene, including drug use and violence, while acknowledging the band's significant contribution to hardcore punk. A few share personal anecdotes about encounters with band members and reflect on the evolution of the hardcore scene.
Summary of Comments ( 60 )
https://news.ycombinator.com/item?id=43594396
Hacker News commenters were generally unimpressed with the "Lord of the Logos" article. Several found the title misleading, as the designer's work, while prolific, wasn't particularly noteworthy or high-profile. Some criticized the writing style as hyperbolic and clickbaity, arguing the story wasn't deserving of such grand pronouncements. Others pointed out the irony of a Co-op employee designing logos for competing supermarkets. A few questioned the legality and ethics of designing logos for other companies while employed, especially given the potential for intellectual property conflicts. There was also a brief discussion about the prevalence of generic-looking logos.
The Hacker News post about the Exeter Co-op worker who designs logos has a modest number of comments, mostly focusing on the juxtaposition of his ordinary day job and creative outlet. Several commenters express appreciation for his artistic talent and the unique designs he creates.
One commenter highlights the "Lord of the Logos" moniker, finding it amusing and fitting. They also draw a parallel to Clark Kent/Superman, emphasizing the hidden talent beneath an unassuming exterior. This comparison resonates with other commenters, who enjoy the romantic notion of a secret identity.
Another thread discusses the logos themselves, with some commenters praising their retro aesthetic and clever use of negative space. They point out the effectiveness of simple, yet memorable designs, and how they stand out in a world of overly complex logos.
A few comments touch on the nature of creative work and the importance of having an outlet for self-expression, regardless of one's profession. They commend the designer for pursuing his passion alongside his day job.
Some commenters express curiosity about the designer's process and how he balances his two roles. They wonder if he plans to transition to logo design full-time or continue his current arrangement.
Overall, the comments reflect a positive reception to the article and a general admiration for the designer's artistic abilities and dedication to his craft. There isn't much in the way of controversy or debate, with most commenters simply sharing their appreciation for the story and the designs.