"The Cameraman's Revenge" (1912) is a quirky stop-motion animation using real insects. It depicts a melodramatic tale of infidelity and revenge within the insect world. Mr. Beetle, after flirting with a dragonfly, returns home to his wife, Mrs. Beetle, who discovers his indiscretion through photos taken by a sneaky cameraman. In retaliation, she elopes with an artist beetle, angering Mr. Beetle who then duels the cameraman. The film satirizes human behavior and societal norms, particularly regarding marriage and infidelity, through its comical portrayal of insect life. It's notable for its early use of stop-motion animation and its clever anthropomorphism of insects.
The popular 3D printer benchmark and test model, #3DBenchy, designed by Creative Tools, is now in the public domain. After ten years of copyright protection, anyone can freely use, modify, and distribute the Benchy model without restriction. This change opens up new possibilities for its use in education, research, and commercial projects. Creative Tools encourages continued community involvement and development around the Benchy model.
Hacker News users discussed the implications of 3DBenchy entering the public domain, mostly focusing on its continued relevance. Some questioned its usefulness as a benchmark given advancements in 3D printing technology, suggesting it's more of a nostalgic icon than a practical tool. Others argued it remains a valuable quick print for testing new filaments or printer tweaks due to its familiarity and readily available troubleshooting information. A few comments highlighted the smart move by the original creators to release it publicly, ensuring its longevity and preventing others from profiting off of slightly modified versions. Several users expressed their appreciation for its simple yet effective design and its contribution to the 3D printing community.
"The Human Alphabet," published in 1848, presents a whimsical yet structured exploration of letterforms created by contorting the human body. Engraved by artist Edward Lumley, the illustrations depict men, women, and children individually and in groups, painstakingly arranged to mimic each letter of the alphabet. The poses range from simple to complex, demonstrating both the flexibility of the human form and the ingenuity required to achieve these typographic representations. Ultimately, the work serves as a playful intersection of art, anatomy, and typography, offering a unique visual interpretation of the alphabet.
Hacker News users discussed the historical context and artistic merit of human alphabets. Some noted similar formations depicted in older works, like a 15th-century manuscript. Several appreciated the diversity represented by including non-Western alphabets, pointing out examples from Ethiopia and India. There was debate about the practicality and accuracy of the formations, with some questioning how legible or standardized they truly were, particularly for languages with larger character sets. Others found the concept aesthetically pleasing and fascinating, appreciating the ingenuity and creativity of representing language through the human body. A few comments focused on the photographer's skill in capturing these intricate poses. The overall sentiment leaned toward appreciation for the historical curiosity and visual appeal of the human alphabets.
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https://news.ycombinator.com/item?id=43531465
HN commenters discuss the ingenuity and surprisingly advanced techniques used in The Cameraman's Revenge, a 1912 stop-motion film featuring insects. Several note the impressive special effects for its time, including complex sets and seemingly realistic insect movements. Some highlight the dark humor and satirical nature of the film, drawing parallels to contemporary human behavior. A few commenters also point out the film's historical significance as an early example of stop-motion animation and its potential influence on later works. The film's availability on YouTube is also mentioned, making it easily accessible for viewing. A couple of users reflect on the fragility and preservation of early films, noting the potential loss of such cultural artifacts.
The Hacker News post titled "Bedded Bugs and Stung Beetles: The Cameraman's Revenge (1912)" has several comments discussing various aspects of the linked animated film.
Several commenters focus on the technical aspects of the film. One commenter points out the remarkable nature of stop-motion animation at such an early date (1912), emphasizing the painstaking effort required to create the illusion of movement. This comment highlights the film as an impressive technical achievement for its time. Another commenter draws a parallel between the film's creator, Władysław Starewicz, and Ray Harryhausen, a renowned stop-motion animator known for his work in films like "Jason and the Argonauts." This comparison serves to place Starewicz in the context of other significant figures in animation history. Further expanding on the technical side, one user specifically mentions the impressive close-ups and detailed sets, wondering how such precision was achieved in the early 20th century. Another user responds to this query with a brief explanation of the techniques likely employed, speculating about the use of gears and precise camera movement.
Another thread of discussion revolves around the themes and narrative of the film. One commenter describes the film as a precursor to modern animated features, citing the insect characters and their anthropomorphic behavior as a similarity. They also mention the presence of adult themes like infidelity and jealousy. Expanding on the themes of the film, another commenter likens it to a soap opera, highlighting the dramatic and exaggerated nature of the insect characters' interactions.
Some comments delve into the history surrounding the film and its creator. One commenter shares additional background information on Władysław Starewicz, mentioning his Lithuanian origins and his initial foray into stop-motion animation using insects to document their natural behavior. This comment provides context for Starewicz's later narrative work, suggesting his technical skills developed from a scientific pursuit.
Finally, a few commenters simply express their enjoyment of the film. Some appreciate the humor and absurdity of the premise, while others praise the artistry and technical skill involved in its creation. One commenter humorously notes the surprisingly detailed and realistic depiction of insect anatomy, even in a comedic and fantastical context.
In summary, the comments on the Hacker News post offer a mix of technical analysis, historical context, thematic interpretation, and personal reactions to the film "The Cameraman's Revenge." They highlight the film's significance as an early example of stop-motion animation, its surprisingly complex narrative, and the enduring appeal of its unique blend of humor and artistry.