From 1952 to 1967, Japan experienced a "Golden Age" of pencil production, driven by post-war economic recovery and a surge in education. This period saw a proliferation of high-quality pencils, featuring innovative designs, premium materials like incense cedar, and meticulous craftsmanship. Manufacturers like Mitsubishi, Tombow, and Pentel competed fiercely, resulting in a diverse range of pencils catering to writing, drawing, and even carpentry. This era solidified Japan's reputation for producing some of the world's finest pencils, a legacy that continues to influence pencil manufacturing today.
Glad & Co's "Paper Apps" are physical, paper-based versions of common digital applications like calendars, to-do lists, and project trackers. Designed with a focus on tactile engagement and visual simplicity, these products aim to offer a screen-free alternative for organizing and managing daily tasks. They utilize reusable components like magnets, cards, and dry-erase surfaces, allowing for dynamic updates and customization. The collection includes various formats, from wall-mounted boards to notebooks, catering to different planning needs and preferences. Ultimately, Paper Apps seek to combine the flexibility of digital tools with the tangible satisfaction of physical interaction.
Hacker News users generally expressed skepticism and amusement towards the "Paper Apps" concept. Many questioned the practicality and value proposition of physical paper versions of digital apps, particularly given their cost. Some saw them as a novelty or gag gift. Several commenters pointed out the irony of meticulously recreating digital interfaces in a physical format, highlighting the inherent limitations and lack of functionality compared to their digital counterparts. Others drew parallels to existing paper-based productivity tools, suggesting the idea wasn't entirely novel. A few appreciated the aesthetic and tactile aspects, but the overall sentiment leaned towards viewing them as a whimsical but ultimately impractical exercise.
Summary of Comments ( 92 )
https://news.ycombinator.com/item?id=43243716
Hacker News users discuss the nostalgic appeal of vintage Japanese pencils, some sharing personal experiences and preferences for specific brands like Tombow Mono 100 and Mitsubishi Hi-Uni. Several commenters highlight the article's focus on the manufacturing quality and materials used during this "golden age," noting the superior graphite and wood compared to modern pencils. Others discuss the decline in quality of contemporary pencils and theorize about reasons for this shift, citing factors like cost-cutting measures and changing consumer demand. There's also a brief discussion about the current pencil market, with mentions of Palomino Blackwing pencils as a higher-end modern option. Finally, some users express interest in the broader history of stationery and pencil manufacturing, prompting shared links to relevant resources.
The Hacker News post titled "The Golden Age of Japanese Pencils (2022)" linking to an article on notes.stlartsupply.com has generated several comments discussing various aspects of pencils, Japanese manufacturing, and nostalgia.
One commenter reminisces about the high quality of Japanese stationery they encountered in the 1980s, specifically mentioning Pentel mechanical pencils and fountain pens. They express a sense of disappointment with the perceived decline in the quality of more recent products, speculating about changes in manufacturing processes and materials.
Another commenter focuses on the "Made in Japan" label, suggesting that it once signified quality and precision but has become less reliable over time. They mention personal experiences with products across different categories, including electronics and tools.
A different thread of discussion revolves around the concept of "planned obsolescence." Commenters debate whether this practice is intentionally employed by manufacturers to shorten product lifecycles and boost sales. Some argue that modern pencils are designed to break more easily, while others contend that the focus has shifted towards disposability rather than durability. The changing economics of manufacturing and consumer expectations are also brought up.
The conversation also touches upon the materials used in pencil production, particularly wood and graphite. One commenter notes the historical significance of cedarwood in pencil making and questions the sustainability of current practices. Another commenter mentions the unique qualities of Japanese graphite, contrasting it with other sources and linking its properties to the writing experience.
Several commenters share personal anecdotes about their favorite pencil brands and models, expressing nostalgia for specific products from their childhood or student years. These comments highlight the emotional connection people can have with seemingly mundane objects like pencils. There's a general agreement on the enduring appeal of well-crafted writing instruments.
Finally, some commenters provide additional resources related to pencils, including links to articles and websites dedicated to pencil collecting and history. This contributes to a broader conversation about the cultural significance of pencils and the ongoing interest in their design and manufacture.