In 1977, French composer David Matthews created a jazz-funk concept album inspired by Frank Herbert's Dune. Commissioned for French radio, this pre-Lynch adaptation features a distinct 70s sound with synthesizers, electric piano, and a driving rhythm section. While incorporating elements of the novel's plot and characters like Paul Atreides and the Fremen, Matthews focuses more on evoking the atmosphere and themes of Arrakis, using original compositions with titles like "The Ceremony of the Sand" and "The Voice of Muad'Dib." This rarely-heard musical interpretation of Dune offers a unique and intriguing alternative to other adaptations.
Orson Welles's "Chimes at Midnight" (1966), finally receiving a 4K restoration in 2024 from Janus Films, is a masterful adaptation of Shakespeare's Falstaff plays, focusing on the complex relationship between the aging knight and Prince Hal. The film portrays Falstaff not just as a comedic figure but also a tragic one, grappling with his own mortality and the prince's inevitable rejection. This restoration, supervised by Orson Welles expert and longtime champion Peter Bogdanovich, represents the fulfillment of Welles’s own wishes for the film's presentation and will allow audiences to experience this often-overlooked masterpiece in its intended form.
Hacker News users discussed the seeming paradox of Chimes at Midnight, a small, independent magazine achieving significant cultural impact despite its limited readership. Commenters praised the magazine's high production quality, unique content, and focus on in-depth exploration of niche topics. Some highlighted the power of physical objects and the tactile experience they offer in a digital world. Others drew parallels to the early days of the internet and the close-knit communities that formed around shared interests, suggesting Chimes at Midnight taps into a similar dynamic. The potential for small, focused publications to thrive in the current media landscape was a recurring theme, with several commenters noting the importance of catering to a specific, passionate audience rather than chasing mass appeal. A few expressed skepticism about the long-term viability of the magazine's business model, but the overall sentiment was one of admiration and cautious optimism.
Deep in the ocean, where sunlight barely penetrates, life thrives. This article explores how organisms in these light-starved environments survive. It focuses on rhodopsins, light-sensitive proteins used by microbes for energy production and signaling. Scientists have discovered rhodopsins remarkably tuned to the faint blue light that reaches these depths, maximizing energy capture. Further research has revealed the surprising diversity and adaptability of rhodopsins, showing they can even utilize thermal energy when light is completely absent. This challenges our understanding of life's limits and suggests that rhodopsin-based life could exist in even more extreme environments, including other planets.
Hacker News users discussed the surprising adaptability of life to extremely low-light environments, as described in the Quanta article. Several commenters highlighted the efficiency of biological systems in capturing and utilizing even the smallest amounts of available photons. Some discussed the implications for finding life in other environments, like the subsurface oceans of icy moons, and the possibility of life using alternative energy sources besides light. Others delved into the specific biochemical mechanisms mentioned in the article, like the role of rhodopsins and the challenges of studying these organisms. A few questioned the "barely any light" framing, pointing out that even seemingly dark environments like the deep ocean still have some bioluminescence and faint light penetration. One commenter also mentioned the possibility of life existing solely on chemical energy, independent of light altogether.
"Signs of Life in a Desert of Death" explores the unexpected cultural vibrancy found in the Negev desert, specifically focusing on the Bedouin town of Rahat. Despite facing systemic discrimination and marginalization from Israeli society, Rahat's residents exhibit a powerful resilience and forge a distinct identity. The piece highlights the community's dynamic internal life, exemplified by its thriving poetry scene, which provides a platform for social commentary and self-expression. This cultural richness challenges the common perception of the desert as barren and lifeless, revealing a community teeming with creativity and determination in the face of adversity.
Hacker News users generally found the Noema Magazine article thought-provoking, albeit somewhat meandering and lacking a clear thesis. Several commenters appreciated the author's exploration of death and meaning-making in a secular world, while others criticized the piece for being overly abstract and lacking concrete examples. Some questioned the framing of death as a "desert" and suggested alternative metaphors. A compelling point of discussion emerged around the idea of finding meaning in the face of mortality, with some arguing for embracing the finite nature of life and others suggesting that the search for meaning is inherently human. The concept of "death positivity" also sparked debate, with some commenters endorsing its principles and others finding it to be potentially morbid or unhelpful.
Summary of Comments ( 3 )
https://news.ycombinator.com/item?id=43102491
Hacker News users discuss the surprising existence of a Dune musical by David Matthews, predating the Toto adaptation. Several express curiosity about its sound and availability, with some recalling Matthews' other works like the "Shookfoil" album. Others debate the legality and likelihood of a full release due to copyright issues with the Dune IP. The potential for a "so bad it's good" experience is also mentioned, while a few lament the missed opportunity of a French electronic music adaptation by Heldon. Some question if Matthews' involvement is a hoax, while others confirm his prolific career in library and experimental music. The overall sentiment is a mix of intrigue and skepticism.
The Hacker News post titled "1977 Jazz-Funk Musical Adaptation of Dune by David Matthews" generated several comments discussing various aspects of the potential musical adaptation.
Some users expressed excitement and curiosity about the project. One comment highlighted the intriguing combination of jazz-funk and the Dune universe, wondering how such a musical would translate the complex themes and atmosphere of the book. Another user expressed sheer disbelief and eagerness to hear the adaptation, while another simply stated their hope that it would be made available on streaming platforms. A commenter mentioned having seen a production of this adaptation back in the 70s, remembering it as being quite good but noting the difficulty of adapting such dense source material.
Several comments focused on David Matthews, the composer. Some users pointed out that this was not the Dave Matthews of the Dave Matthews Band, but a different composer of the same name. This distinction led to some humorous remarks about the initial confusion and subsequent disappointment. One commenter shared an anecdote about a college radio DJ playing a cut from Matthews' Dune musical and jokingly attributing it to the more famous Dave Matthews, sparking interest among listeners.
The discussion also touched upon the challenges of adapting Dune for different media. One user mentioned the inherent difficulty of translating the book's intricate plot and philosophical depth to other formats, while another expressed skepticism about the viability of a jazz-funk musical as a suitable medium for Dune. One commenter referenced Alejandro Jodorowsky's unsuccessful attempt to adapt Dune into a film, highlighting the complexity and ambition required for such a project. A different commenter referenced a different musical adaptation of Dune and stated that it "wasn't very good."
Finally, some comments provided further information about David Matthews and his work. One commenter mentioned that Matthews was known for his work in theater and had composed music for other productions. Another shared a link to Matthews' website, enabling other users to explore his other projects and compositions.