The blog post "What if we made advertising illegal?" explores the potential societal benefits of a world without advertising. It argues that advertising manipulates consumers, fuels overconsumption and unsustainable growth, promotes harmful products, and pollutes public spaces and our minds. By eliminating advertising, the author suggests we could reclaim public space, reduce consumption and waste, foster more meaningful cultural production, and encourage healthier lifestyles. This shift would necessitate new funding models for media and cultural institutions, potentially leading to more diverse and democratic forms of content creation.
Vicki Boykis reflects on 20 years of Y Combinator and Hacker News, observing how their influence has shifted the tech landscape. Initially fostering a scrappy, builder-focused community, YC/HN evolved alongside the industry, becoming increasingly intertwined with venture capital and prioritizing scale and profitability. This shift, driven by the pursuit of ever-larger funding rounds and exits, has led to a decline in the original hacker ethos, with less emphasis on individual projects and more on market dominance. While acknowledging the positive aspects of YC/HN's legacy, Boykis expresses concern about the homogenization of tech culture and the potential stifling of truly innovative, independent projects due to the pervasive focus on VC-backed growth. She concludes by pondering the future of online communities and their ability to maintain their initial spirit in the face of commercial pressures.
Hacker News users discuss Vicki Boykis's blog post reflecting on 20 years of Y Combinator and Hacker News. Several commenters express nostalgia for the earlier days of both, lamenting the perceived shift from a focus on truly disruptive startups to more conventional, less technically innovative ventures. Some discuss the increasing difficulty of getting into YC and the changing landscape of the startup world. The "YC application industrial complex" and the prevalence of AI-focused startups are recurring themes. Some users also critique Boykis's perspective, arguing that her criticisms are overly focused on consumer-facing companies and don't fully appreciate the B2B SaaS landscape. A few point out that YC has always funded a broad range of startups, and the perception of a decline may be due to individual biases.
Pippin Barr's "It is as if you were on your phone" is a web-based art piece that simulates the experience of endlessly scrolling through a smartphone. It presents a vertically scrolling feed of generic, placeholder-like content—images, text snippets, and UI elements—mimicking the addictive, often mindless nature of phone usage. The piece offers no real interaction beyond scrolling, highlighting the passive consumption and fleeting engagement often associated with social media and other phone-based activities. It serves as a commentary on how this behavior can feel both absorbing and empty.
HN commenters largely agree with the author's premise that modern web browsing often feels like using a constrained mobile app, even on desktop. Several point to the increasing prevalence of single-column layouts, large headers, and hamburger menus as key culprits. Some suggest this trend is driven by a mobile-first design philosophy gone too far, while others argue it's a consequence of sites prioritizing content management systems (CMS) ease of use over user experience. A few commenters propose solutions like browser extensions to customize layouts or the adoption of CSS frameworks that prioritize adaptability. One compelling comment highlights the irony of mobile sites sometimes offering more functionality than their desktop counterparts due to this simplification. Another suggests the issue stems from the dominance of JavaScript frameworks that encourage mobile-centric design patterns.
This blog post reminisces about the early days of personal web publishing on GeoCities in 1995. It highlights the excitement and challenges of creating a homepage using basic HTML, with limited access to images and other multimedia. The author describes painstakingly crafting their own backgrounds and navigational elements using rudimentary tools and techniques, emphasizing the stark contrast with today's drag-and-drop website builders. The post evokes a sense of nostalgia for the simpler, more DIY nature of the early web, where personal expression and creativity thrived despite technical limitations. Ultimately, it reflects on the significant impact GeoCities had on democratizing web publishing and fostering online community.
Hacker News users reminisced about GeoCities, expressing nostalgia for its early web design aesthetic and the sense of community it fostered. Several commenters recalled the excitement of creating personal web pages with animated GIFs and under construction signs, and the joy of discovering others' creations. Some discussed the technical limitations of the time, including slow dial-up connections and limited storage space. Others lamented the loss of this era of the web, contrasting it with the current centralized, corporate internet landscape. A few users pointed out the article's historical inaccuracies, while others shared their own GeoCities URLs or memories of specific sites. Overall, the comments reflect a fondness for GeoCities as a symbol of a more creative and personal internet.
Stephanie Yue Duhem's essay argues that the virality of Rupi Kaur's poetry stems from its easily digestible, relatable, and emotionally charged content, rather than its literary merit. Duhem suggests that Kaur's work resonates with a broad audience precisely because it avoids complex language and challenging themes, opting instead for simple, declarative statements about common experiences like heartbreak and trauma. This accessibility, combined with visually appealing formatting on social media, contributes to its widespread appeal. Essentially, Duhem posits that Kaur’s work, and other similar viral poetry, thrives not on its artistic depth, but on its capacity to be readily consumed and shared as easily digestible emotional content.
Hacker News users generally agreed with the article's premise, finding the discussed poem simplistic and lacking depth. Several commenters dissected the poem's flaws, citing its predictable rhyming scheme, cliché imagery, and unoriginal message. Some suggested the virality stems from relatable, easily digestible content that resonates with a broad audience rather than poetic merit. Others discussed the nature of virality itself, suggesting algorithms amplify mediocrity and that the poem's success doesn't necessarily reflect its quality. A few commenters defended the poem, arguing that its simplicity and emotional resonance are valuable, even if it lacks sophisticated poetic techniques. The discussion also touched on the democratization of poetry through social media and the subjective nature of art appreciation.
In a 2014 Dezeen article, Justin McGuirk reflects on William Gibson's observation that burgeoning subcultures are rapidly commodified, losing their subversive potential before they fully form. McGuirk uses the example of a sanitized, commercialized "punk" aesthetic appearing in London shops, devoid of the original movement's anti-establishment ethos. He argues that the internet, with its instant communication and trend-spotting, accelerates this process. Essentially, the very act of identifying and labeling a subculture makes it vulnerable to appropriation by mainstream culture, transforming rebellion into a marketable product.
HN users generally agree with Gibson's observation about the rapid commodification of subcultures. Several commenters attribute this to the internet and social media, allowing trends to spread and be exploited much faster than in the past. Some argue that genuine subcultures still exist, but are more fragmented and harder to find. One commenter suggests commodification might not always be negative, as it can provide access to niche interests while another points out the cyclical nature of trends, with mainstream adoption often leading to subcultures moving underground and reinventing themselves. A few lament the loss of authenticity this process creates.
Jonathan Crary's "Superbloom" argues that the relentless pursuit of seamless technological connection, exemplified by platforms like Zoom and social media, has paradoxically fragmented our experience of reality. Crary posits that these technologies, promising increased interaction, instead foster alienation by reducing human experience to quantifiable data points and encouraging a constant state of distraction. This constant connectivity degrades our capacity for focused attention, critical thinking, and genuine engagement with the world, ultimately hindering the development of individual subjectivity and shared social realities. The book urges a critical reassessment of our relationship with these technologies and advocates for reclaiming our agency in shaping a more meaningful and less atomized future.
HN commenters largely disagree with the premise of the review and the book it covers ("Superbloom"). Several argue the reviewer misrepresents or misunderstands the book's arguments, especially regarding technology's role in societal fragmentation. Some suggest the reviewer's nostalgia for pre-internet community blinds them to the downsides of those times, like geographic limitations and social conformity. Others point out that "technologies of connection" are tools, and blaming them for societal issues is like blaming hammers for violence. A few commenters mention the irony of discussing connection and disconnection on a platform designed for connection, highlighting the complexity of the issue. The most compelling comments offer alternative perspectives on how technology impacts community, emphasizing individual agency and the potential for both positive and negative consequences depending on usage.
Cory Doctorow's "It's Not a Crime If We Do It With an App" argues that enclosing formerly analog activities within proprietary apps often transforms acceptable behaviors into exploitable data points. Companies use the guise of convenience and added features to justify these apps, gathering vast amounts of user data that is then monetized or weaponized through surveillance. This creates a system where everyday actions, previously unregulated, become subject to corporate control and potential abuse, ultimately diminishing user autonomy and creating new vectors for discrimination and exploitation. The post uses the satirical example of a potato-tracking app to illustrate how seemingly innocuous data collection can lead to intrusive monitoring and manipulation.
HN commenters generally agree with Doctorow's premise that large corporations use "regulatory capture" to avoid legal consequences for harmful actions, citing examples like Facebook and Purdue Pharma. Some questioned the framing of the potato tracking scenario as overly simplistic, arguing that real-world supply chains are vastly more complex. A few commenters discussed the practicality of Doctorow's proposed solutions, debating the efficacy of co-ops and decentralized systems in combating corporate power. There was some skepticism about the feasibility of truly anonymized data collection and the potential for abuse even in decentralized systems. Several pointed out the inherent tension between the convenience offered by these technologies and the potential for exploitation.
Paul Graham's 2009 post argues that Twitter's significance stems not from its seeming triviality, but from its unique blend of messaging and public broadcast. It's a new kind of medium, distinct from email or IM, offering a low-friction way to share thoughts and information publicly. This public nature fosters a sense of ambient awareness, keeping users connected to a wider circle than traditional communication methods. Its brevity and immediacy contribute to a feeling of being "present," allowing participation in real-time events and fostering a sense of shared experience. While seemingly inconsequential updates create this presence, they also pave the way for sharing genuinely valuable information within the established network.
HN commenters discuss Paul Graham's 2009 essay on Twitter's significance. Several highlight the prescience of his observations about its future potential, particularly regarding real-time news and conversation. Some contrast Twitter's early simplicity with its current complexity, lamenting feature bloat and the rise of performative posting. Others note how Graham correctly predicted the platform's role as a powerful distribution channel, even envisioning its use for customer support. A few express skepticism about its long-term value, echoing early criticisms about the triviality of its content. Overall, the comments reflect a mix of admiration for Graham's foresight and a wistful look back at a simpler era of social media.
The New York Times article explores the hypothetical scenario of TikTok disappearing and the possibility that its absence might not be deeply felt. It suggests that while TikTok filled a specific niche in short-form, algorithm-driven entertainment, its core function—connecting creators and consumers—is easily replicable. The piece argues that competing platforms like Instagram Reels and YouTube Shorts are already adept at providing similar content and could readily absorb TikTok's user base and creators. Ultimately, the article posits that the internet's dynamic nature makes any platform, even a seemingly dominant one, potentially expendable and easily replaced.
HN commenters largely agree with the NYT article's premise that TikTok's potential ban wouldn't be as impactful as some believe. Several point out that previous "essential" platforms like MySpace and Vine faded without significant societal disruption, suggesting TikTok could follow the same path. Some discuss potential replacements already filling niche interests, like short-form video apps focused on specific hobbies or communities. Others highlight the addictive nature of TikTok's algorithm and express hope that a ban or decline would free up time and mental energy. A few dissenting opinions suggest TikTok's unique cultural influence, particularly on music and trends, will be missed, while others note the platform's utility for small businesses.
Summary of Comments ( 1042 )
https://news.ycombinator.com/item?id=43595269
HN users generally support the idea of banning or heavily regulating advertising, citing its manipulative nature, negative impact on mental health, contribution to consumerism, and distortion of media. Some propose alternative funding models for media and other services, such as subscriptions, micropayments, or public funding. Several commenters acknowledge the difficulty of implementing such a ban, particularly given the entrenched power of the advertising industry and the potential for black markets. A few dissenting voices argue that advertising plays a vital role in informing consumers and supporting free services, and that a ban would be overly restrictive and harmful to the economy. Several discuss the potential unintended consequences of such a drastic measure.
The Hacker News post "What if we made advertising illegal?" generated a lively discussion with a variety of perspectives on the potential impacts of such a ban. Several commenters explored the practical implications and unintended consequences.
One compelling line of discussion revolved around the definition of "advertising" and the difficulty of drawing a clear line. Commenters debated whether things like movie trailers, book reviews, or even open-source project announcements would be considered advertising under a hypothetical ban. This led to concerns about censorship and restrictions on free speech. Some suggested that a ban might be too broad and could stifle innovation and the spread of information. Others proposed narrower definitions focused on manipulative or misleading advertising practices.
Another key theme was the potential impact on the funding of free services. Many commenters pointed out that advertising revenue supports many websites, apps, and other services that people rely on. They questioned how these services would be funded in the absence of advertising, with suggestions ranging from subscriptions and donations to government funding. Some expressed skepticism about the viability of these alternatives, particularly for smaller or niche platforms.
Several commenters discussed the potential benefits of an ad-free world, such as reduced consumerism, less cluttered online experiences, and decreased exposure to potentially harmful or misleading information. However, others argued that advertising plays a valuable role in informing consumers about products and services and driving competition.
Some commenters also explored historical examples of advertising bans or restrictions, such as the ban on tobacco advertising. They debated the effectiveness of these measures and their relevance to a broader advertising ban.
A few comments touched on the potential for black markets and other unintended consequences, such as the rise of influencer marketing or other forms of disguised advertising.
Overall, the comments on Hacker News reflect a complex and nuanced understanding of the role of advertising in society. While some expressed support for a ban, many others raised concerns about its feasibility and potential negative consequences. The discussion highlighted the need for careful consideration of the definition of advertising and the potential impacts on various stakeholders, including consumers, businesses, and the media.