Neal Stephenson's "Wrong 5" argues that Thomas More's Utopia hypocritically condemns individual acquisitiveness while simultaneously advocating for England's imperial expansion and resource extraction under the guise of "improvement." More portrays Utopians as morally superior for rejecting private property, yet Stephenson contends this stance ignores the exploitative nature of acquiring resources and labor to establish and maintain Utopia's seemingly idyllic state. He highlights the inherent contradiction of More, a wealthy lawyer serving a rapacious empire, decrying individual greed while remaining silent about the systemic greed driving England's colonial ambitions. Essentially, Stephenson posits that Utopia serves as a veiled justification for powerful entities seizing resources under the pretense of societal betterment, a process mirroring England's contemporary actions.
Researchers have reconstructed the face of St. Thomas Aquinas using 3D modeling based on his skull, offering a glimpse of his appearance 750 years after his death. Analysis also suggests he suffered from a chronic ear infection and severe osteoarthritis, possibly contributing to his demise. While the cause of death remains uncertain, these findings provide valuable insight into the health and physical characteristics of the influential theologian and philosopher.
HN commenters discuss the methodology used to reconstruct Aquinas's face, with some skepticism about its accuracy given the reliance on skull shape alone and the potential for subjective interpretation by the artists. Several commenters point out the irony of reconstructing the face of a theologian who emphasized the immaterial soul over physical appearance. Others question the significance of the project, while some express interest in the historical and forensic aspects. A few commenters debate the cause of death, with one suggesting it might have been a stroke rather than the reported "cerebral stroke" mentioned in some historical accounts. Overall, the comments express a mixture of curiosity, doubt, and philosophical reflection on the nature of identity and the limits of historical reconstruction.
The Vatican's website offers a free, immersive digital experience of St. Peter's Basilica. Users can explore high-resolution 360° panoramic views of both the Basilica's interior and exterior, including spaces not typically accessible to the public. This virtual tour allows detailed examination of the art, architecture, and religious significance of the Basilica, providing a rich and engaging experience for anyone interested in experiencing this iconic landmark from anywhere in the world.
HN commenters generally found the Vatican's digital twin of St. Peter's Basilica underwhelming. Several criticized the low resolution and poor quality of the 3D model, especially given the readily available high-resolution scans and photographic data. Others noted the lack of interactivity and limited navigation, comparing it unfavorably to other virtual museum experiences. Some suggested the project seemed rushed and poorly executed, speculating about potential internal politics or technical limitations at play. A few commenters expressed interest in a higher-fidelity version, but the prevailing sentiment was disappointment with the current offering.
Summary of Comments ( 17 )
https://news.ycombinator.com/item?id=43158442
The Hacker News comments generally agree with Stephenson's critique of Thomas More's Utopia, finding his vision naive and impractical. Several commenters point out the hypocrisy of More's personal wealth and position contrasting with the communist ideals he espouses in Utopia. Some discuss the inherent difficulties and contradictions in attempting to design a perfect society, citing issues of human nature and the potential for tyranny. Others find value in utopian thought experiments, even if flawed, as they can spark discussion and inspire incremental improvements. A few commenters delve into More's religious context and the historical influences on his writing, suggesting that modern interpretations may miss nuances of his intent. One commenter highlights the darkly satirical elements of Utopia, arguing that it shouldn't be taken entirely at face value.
The Hacker News post titled "The Wrongs of Thomas More (Wrong 5)" generated several comments discussing Neal Stephenson's essay on the historical figure. Many commenters engaged with Stephenson's exploration of More's complex character and the nuances of historical interpretation.
Several commenters appreciated Stephenson's detailed and nuanced approach to history, praising his ability to avoid simplistic moral judgments and acknowledge the complexities of figures like More. They found his exploration of More's intellectual context and the challenges of applying modern morality to historical figures to be insightful.
Some commenters focused on the specific arguments within Stephenson's essay, discussing the nature of heresy and the political climate of More's time. They debated the legitimacy of More's actions, with some arguing that he was a product of his era while others condemned his persecution of Protestants.
One compelling line of discussion revolved around the idea of historical relativism. Commenters grappled with the question of how to judge historical figures by the standards of their own time versus contemporary values. This led to a broader discussion about the challenges of interpreting history and the importance of understanding context.
Another interesting thread emerged around the concept of Utopia and its inherent contradictions. Commenters discussed More's "Utopia" and its portrayal of an idealized society, contrasting it with the realities of More's own actions and beliefs. This prompted reflection on the nature of utopian thought and the tension between ideals and reality.
Some commenters also brought in comparisons to other historical figures and events, further enriching the discussion. They drew parallels to contemporary issues, demonstrating the relevance of historical analysis to understanding present-day challenges.
While there was general agreement on the quality of Stephenson's writing and the thought-provoking nature of his arguments, there wasn't a consensus on More's legacy. The comments reflected a diversity of opinions, demonstrating the ongoing debate about how to interpret complex historical figures and their actions.