"The Cameraman's Revenge" (1912) is a quirky stop-motion animation using real insects. It depicts a melodramatic tale of infidelity and revenge within the insect world. Mr. Beetle, after flirting with a dragonfly, returns home to his wife, Mrs. Beetle, who discovers his indiscretion through photos taken by a sneaky cameraman. In retaliation, she elopes with an artist beetle, angering Mr. Beetle who then duels the cameraman. The film satirizes human behavior and societal norms, particularly regarding marriage and infidelity, through its comical portrayal of insect life. It's notable for its early use of stop-motion animation and its clever anthropomorphism of insects.
Combining Tokio's asynchronous runtime with prctl(PR_SET_PDEATHSIG)
in a multi-threaded Rust application can lead to a subtle and difficult-to-debug issue. PR_SET_PDEATHSIG
causes a signal to be sent to a child process when its parent terminates. If a thread in a Tokio runtime calls prctl
to set this signal and then that thread's parent exits, the signal can be delivered to a different thread within the runtime, potentially one that is unprepared to handle it and is holding critical resources. This can result in resource leaks, deadlocks, or panics, as the unexpected signal disrupts the normal flow of the asynchronous operations. The blog post details a specific scenario where this occurred and provides guidance on avoiding such issues, emphasizing the importance of carefully considering signal handling when mixing Tokio with prctl
.
The Hacker News comments discuss the surprising interaction between Tokio and prctl(PR_SET_PDEATHSIG)
. Several commenters express surprise at the behavior, noting that it's non-intuitive and potentially dangerous for multi-threaded programs using Tokio. Some point out the complexities of signal handling in general, and the specific challenges when combined with asynchronous runtimes. One commenter highlights the importance of understanding the underlying system calls and their implications, especially when mixing different programming paradigms. The discussion also touches on the difficulty of debugging such issues and the lack of clear documentation or warnings about this particular interaction. A few commenters suggest potential workarounds or mitigations, including avoiding PR_SET_PDEATHSIG
altogether in Tokio-based applications. Overall, the comments underscore the subtle complexities that can arise when combining asynchronous programming with low-level system calls.
People with the last name "Null" face a constant barrage of computer-related problems because their name is a reserved term in programming, often signifying the absence of a value. This leads to errors on websites, databases, and various forms, frequently rejecting their name or causing transactions to fail. From travel bookings to insurance applications and even setting up utilities, their perfectly valid surname is misinterpreted by systems as missing information or an error, forcing them to resort to workarounds like using a middle name or initial to navigate the digital world. This highlights the challenge of reconciling real-world data with the rigid structure of computer systems and the often-overlooked consequences for those whose names conflict with programming conventions.
HN users discuss the wide range of issues caused by the last name "Null," a reserved keyword in many computer systems. Many shared similar experiences with problematic names, highlighting the challenges faced by those with names containing spaces, apostrophes, hyphens, or characters outside the standard ASCII set. Some commenters suggested technical solutions like escaping or encoding these names, while others pointed out the persistent nature of the problem due to legacy systems and poor coding practices. The lack of proper input validation was frequently cited as the root cause, with one user mentioning that SQL injection vulnerabilities often stem from similar issues. There's also discussion about the historical context of these limitations and the responsibility of developers to handle edge cases like these. A few users mentioned the ironic humor in a computer scientist having this particular surname, especially given its significance in programming.
David A. Wheeler's essay presents a structured approach to debugging, emphasizing systematic thinking over guesswork. He advocates for understanding the system, reproducing the bug reliably, and then isolating its cause through techniques like divide-and-conquer and tracing. Wheeler stresses the importance of verifying fixes completely and preventing regressions. He champions tools like debuggers and logging, but also highlights the value of careful code reading, thinking through the problem's logic, and seeking outside perspectives. The essay culminates in "Agans' Debugging Laws," practical guidelines encouraging proactive prevention through code reviews and testability, as well as methodical troubleshooting using scientific observation and experimentation rather than random changes.
Hacker News users discussed David A. Wheeler's essay on debugging. Several commenters praised the essay's clarity and thoroughness, considering it a valuable resource for both novice and experienced programmers. Specific points of agreement included the emphasis on scientific debugging (forming hypotheses and testing them) and the importance of understanding the system's intended behavior. Some users shared anecdotes about particularly challenging bugs they'd encountered and how Wheeler's advice helped them. The "explain the bug to someone else" technique was highlighted as particularly effective, even if that "someone" is a rubber duck. A few commenters suggested additional debugging strategies, such as using static analysis tools and learning assembly language. Overall, the comments reflect a strong appreciation for Wheeler's practical, systematic approach to debugging.
Summary of Comments ( 0 )
https://news.ycombinator.com/item?id=43531465
HN commenters discuss the ingenuity and surprisingly advanced techniques used in The Cameraman's Revenge, a 1912 stop-motion film featuring insects. Several note the impressive special effects for its time, including complex sets and seemingly realistic insect movements. Some highlight the dark humor and satirical nature of the film, drawing parallels to contemporary human behavior. A few commenters also point out the film's historical significance as an early example of stop-motion animation and its potential influence on later works. The film's availability on YouTube is also mentioned, making it easily accessible for viewing. A couple of users reflect on the fragility and preservation of early films, noting the potential loss of such cultural artifacts.
The Hacker News post titled "Bedded Bugs and Stung Beetles: The Cameraman's Revenge (1912)" has several comments discussing various aspects of the linked animated film.
Several commenters focus on the technical aspects of the film. One commenter points out the remarkable nature of stop-motion animation at such an early date (1912), emphasizing the painstaking effort required to create the illusion of movement. This comment highlights the film as an impressive technical achievement for its time. Another commenter draws a parallel between the film's creator, Władysław Starewicz, and Ray Harryhausen, a renowned stop-motion animator known for his work in films like "Jason and the Argonauts." This comparison serves to place Starewicz in the context of other significant figures in animation history. Further expanding on the technical side, one user specifically mentions the impressive close-ups and detailed sets, wondering how such precision was achieved in the early 20th century. Another user responds to this query with a brief explanation of the techniques likely employed, speculating about the use of gears and precise camera movement.
Another thread of discussion revolves around the themes and narrative of the film. One commenter describes the film as a precursor to modern animated features, citing the insect characters and their anthropomorphic behavior as a similarity. They also mention the presence of adult themes like infidelity and jealousy. Expanding on the themes of the film, another commenter likens it to a soap opera, highlighting the dramatic and exaggerated nature of the insect characters' interactions.
Some comments delve into the history surrounding the film and its creator. One commenter shares additional background information on Władysław Starewicz, mentioning his Lithuanian origins and his initial foray into stop-motion animation using insects to document their natural behavior. This comment provides context for Starewicz's later narrative work, suggesting his technical skills developed from a scientific pursuit.
Finally, a few commenters simply express their enjoyment of the film. Some appreciate the humor and absurdity of the premise, while others praise the artistry and technical skill involved in its creation. One commenter humorously notes the surprisingly detailed and realistic depiction of insect anatomy, even in a comedic and fantastical context.
In summary, the comments on the Hacker News post offer a mix of technical analysis, historical context, thematic interpretation, and personal reactions to the film "The Cameraman's Revenge." They highlight the film's significance as an early example of stop-motion animation, its surprisingly complex narrative, and the enduring appeal of its unique blend of humor and artistry.