Nobel laureate Mario Vargas Llosa, a towering figure of 20th and 21st-century literature, has died. The Peruvian writer, known for his prolific and politically charged novels, essays, and plays, explored themes of power, corruption, and individual freedom against the backdrop of Latin American society. His works, including "The Time of the Hero," "Conversation in the Cathedral," and "The Feast of the Goat," garnered international acclaim for their complex characters, intricate plots, and unflinching portrayal of societal ills. Vargas Llosa's influence extended beyond literature, as he actively participated in Peruvian politics, even running for president in 1990. His death marks the end of a remarkable literary career that spanned decades and left an indelible mark on the world.
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A recently rediscovered play by Toni Morrison, Dreaming Emmett, written in 1986 to commemorate the 50th anniversary of Emmett Till's murder, offers new insights into her later masterpiece, Beloved. The play, centered on Till's ghost revisiting key figures in his life and the trial, grapples with themes of racial violence, memory, and the struggle for justice, all prominent in Beloved. Scholars see Dreaming Emmett as a crucial stepping stone in Morrison's exploration of historical trauma and its enduring impact, revealing how she developed her signature blend of realism and surrealism to give voice to the silenced. The play's emphasis on cyclical violence and the importance of remembering resonates powerfully with the themes of haunting and unresolved grief found in her iconic novel.
HN commenters discuss Toni Morrison's lost play, "Dreaming Emmett," and its influence on Beloved. Some highlight the play's focus on the cyclical nature of racial trauma and its exploration of Emmett Till's murder through different perspectives, including his mother's grief and the imagined responses of figures like Jackie Robinson. Others express excitement at the possibility of the play finally being produced and draw parallels between Morrison's theatrical approach and Greek tragedies. Several commenters also mention the poignant timing of the play's rediscovery amidst ongoing racial injustice and note the connection between historical trauma and present-day struggles. One commenter notes the irony of Morrison having called the play "unstageable" while others suggest that its experimental nature might have made it challenging for audiences of that era.
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https://news.ycombinator.com/item?id=43677917
HN commenters react to Vargas Llosa's death with a mix of appreciation and criticism. Some praise his literary contributions, particularly "The War of the End of the World," and his defense of liberal values. Others criticize his political stances, viewing him as too conservative, and some bring up controversial personal life choices. A few commenters note the irony of his death shortly after an erroneous obituary was published. Several discuss his Nobel Prize and his prolific writing career, with some recommending entry points for those unfamiliar with his work. A recurring theme is the contrast between his impressive literary talent and his sometimes questionable political and personal decisions.
The Hacker News post titled "Mario Vargas Llosa has died" links to a New York Times article which appears to be an appraisal of his work rather than an obituary. This has led to significant confusion and discussion in the comments section.
Many of the initial comments express surprise and even disbelief, given the framing of the Hacker News title. Several users point out that the NYT article doesn't mention his death and speculate about a potential error in the headline. Some even suggest checking other sources to confirm the news, highlighting a healthy skepticism towards information presented online.
Once the misunderstanding about the headline is cleared up, the discussion shifts towards Vargas Llosa's literary legacy and political views. Some commenters express admiration for his writing, particularly "The Feast of the Goat" and "Conversation in the Cathedral," while acknowledging his controversial political stances. The discussion delves into his shift from left-leaning views to more conservative ones, with some commenters attributing this change to his experiences with Peruvian politics and the rise of authoritarian regimes.
A few commenters criticize what they perceive as a hagiographic tone in the NYT piece, arguing that it glosses over some of the more problematic aspects of Vargas Llosa's life and career. They mention his public feud with Gabriel García Márquez, his support for controversial political figures, and his sometimes contentious views on cultural and social issues.
There's also a thread discussing the challenges of writing about living authors, particularly those with complex and evolving legacies. One commenter suggests that attempting an overarching appraisal while the subject is still alive can be premature and potentially lead to skewed perspectives.
Overall, the comments section reveals a mixed reaction to Vargas Llosa. While there's widespread recognition of his literary talent, his political views and personal life remain subjects of debate and contention. The confusion caused by the initial headline further underscores the importance of accurate reporting and the potential for misinformation to spread rapidly online.